N. Rudakov

Lost film directed by Oleksandr Dovzhenko (his first film) and Favst Lopatynskyi. It is a satire of the NEP period. Vasia, the son of a factory’s worker, is attracted by the romance of adventures. And he goes to look for them. He saves a drowning drunkard who tries to beat him. Vasia escapes from him in a vehicle parked on the shore. However, the vehicle belongs to a superintendent who, when he does not find it, stages its theft. Meanwhile, Vasia exposes priests in the church. As a result, the church is turned into a cinema, and the priest becomes a cinema technician. And finally, Vasia’s last deed is catching a criminal at home and denouncing him to the militia.

The Red Army enters the city, while the White Army leaves it. There are only two people in the landlord’s estate, an old doorkeeper and a grammar school student, the landlord’s son. The house is taken by the Red Army detachment, and the doorkeeper’s son Andrii, a Bolshevik, is among them. The old man does not share his beloved son’s views and protects the landlord’s son hiding him in the attic.