Julia Ianina

When a doctor decides to carry out an AIDS prevention program inside Latin America’s largest prison: the Casa de Detenção de São Paulo – Carandiru, he meets the future victims of one of the darkest days in Brazilian history.

Isa, a young artist invited to propose a project for an exhibition, sets out to stage a dramatic adaptation of ‘The Posthumous Memoirs of Bras Cubas’, a satirical 19th-century novel by Machado de Assis. The rehearsal is marred by difficulties which the viewer must interpret as being due to the fact that Isa is a woman, young, black, all of the above, or as difficulties anyone would encounter.

Two lives look for meaning into a time that was lived, dreamed, and above all, felt.

Andre and Diego are two former filmmakers that are dealing with the 30-years-old crisis. Diego think that the solution to his problems is to get married and have kids while Andre seek to reestablish his youth again by having a relationship with a 20-year-old girl. An intimate portrait of relationships by Latin American elite.

A post-apocalyptic thriller set in near-future Brazil, where a select few are allowed to join a privileged society after undergoing an intense and competitive process.

Two years after leaving prison, Cadu sets out to fight corruption and pursue a political career, but dangerous ties to the past haunt him.

Small-town trickster Pedro Malasartes has to face two great enemies: Próspero, who will do anything to impede such a lazy, cowardly person like Malasartes from dating his sister, Áurea; and Death incarnated, who wants to take a vacation after two thousand years collecting lives and intends on tricking Malasartes into assuming his tedious job.

Video for Thiago Pethit's "Moon."

During the Brazilian military dictatorship in the seventies, two brothers working on a play will risk their lives to help the resistance.

Cadu, an honest lawyer from the countryside of São Paulo, is about to become a father for the second time. However, his life is completely transformed when he falls into a trap and the police find a ton of marijuana in his house. Outraged by the injustice, he begins to act like the head of a drug cartel, exactly what they accused him of, in front of the criminals and murderers in the prison.

This is the story of Vicente, a successful, married, economist with a nine-year-old son. It also tells the story of Antônio, the same man, living as a hugadores—one of the homeless, trash scavengers who live and work in Brazil’s enormous garbage dumps. Vicente seems to have it all, but as we watch his life begins to crumble little by little. Meanwhile, Antônio, already at rock bottom, struggles to rebuild his life.

A man bored with his reality, works in the São Paulo government censorship department, is married to Isabel, but falls in love with Dora Dumar, an actress of the films he has the obligation to censor.

The story of Cadu, a public defender who sees his life change after being mistaken for a drug dealer.

In each episode, a story unfolds about how a couple's passion turned sour, as love succumbed to jealousy, hate and even crime.

Pedro Malasartes is an original character from Ibero-American culture who spends all his time trying to escape the duty of taking Death's place.