Thierry de Peretti

1967-1976. As one of history's greatest fashion designers entered a decade of freedom, neither came out of it in one piece.

Three siblings comprise the latest generation in a family of puppeteers led with passion by their father. They are magicians of a kind, but can barely make ends meet, working mainly for the love of their craft. Their grandmother contributes too, not only as a seamstress but also as a repository of memories and wisdom. A tragic event will challenge the desire of each sibling to carry on.

September 1940. Henri Marre arrives alone in Vichy as the authoritarian regime settles in. Broke, estranged from his family, and carrying copies of his self-published manifesto Notre Salut (Our Salvation), the 49-year-old is determined to secure what he believes is his rightful place in the new administration. In his writing, Henri sets out his patriotic convictions and his engineer’s methodology: efficiency above all. Claiming he wants to help save France after defeat, he does whatever is required to remain useful, serving the machinery of the new order with increasing skill. But he may be pursuing something more urgent: escape from his own ruin

Alain, a successful Parisian publisher struggling to adapt to the digital revolution, has major doubts about the new manuscript of Léonard, one of his long-time authors — another work of auto-fiction recycling his love affair with a minor celebrity. Selena, Alain’s wife, a famous stage actress, is of the opposite opinion.

Simone Signoret and Yves Montand were the most famous couple of their time. Haunted by her husband’s affair with Marilyn Monroe and bruised by all those that followed, Signoret always refused the role of victim. What they knew was that they would never leave each other.

A group of mourners travels by train to bury a recently deceased artist in Limoges. As they journey, secrets and desires unfold, with relationships shifting, past loves resurfacing, and personal connections revealed. At the funeral and afterward, tensions rise among the group, leading to further emotional complexities at the artist’s family home.

A French army journalist bears witness to the atrocities of the Algerian war in 1962 in this gripping French war movie. It is based on the 1967 novel by Philippe Labro. The film begins in Paris as Jerome Carier, ready to embark to Algiers, is beaten and questioned about the politically sensitive photographs he has. The photos were sent to him by Francois, a friend stationed in Algiers. Francoise is trying to get the French and the Algerians to reconcile. Jerome arrives in the war-torn country and finds himself faced with unbelievable carnage. The French are behind most of it. Because he took the pictures, Francois life is in jeopardy. He is murdered and Jerome finds himself attracted to his girl friend, a radio station announcer. The film contains graphic pictures of the slaughter.

Passionate about the singer Elvis Costello, Ulysses works every Saturday at a gas station in the middle of nowhere to pay for his meteorology studies. Shy and suffering from stagnation when confronted with a conflict situation, he does not respond to the insistent advances of Marie, who lives across the street. At the same time, Anton and Mirek, two English gangsters, are combing all the gas stations in the area in search of a loot hidden in the toilets.