Anna Muylaert

After leaving her daughter Jessica in a small town in Pernambuco to be raised by relatives, Val spends the next 13 years working as a nanny to Fabinho in São Paulo. She has financial stability but has to live with the guilt of having not raised Jessica herself. As Fabinho’s university entrance exams approach, Jessica reappears in her life and seems to want to give her mother a second chance. However, Jessica has not been raised to be a servant and her very existence will turn Val’s routine on its head. With precision and humour, the subtle and powerful forces that keep rigid class structures in place and how the youth may just be the ones to shake it all up.

Pierre is seventeen and in the middle of puberty. He plays in a band, has sex at parties and secretly tries on women’s clothing and lipstick in front of a mirror. Ever since his father’s death, his mother Aracy has looked after him and his younger sister Jacqueline, spoiling them both. But when he discovers that she stole him from a hospital when he was a new born baby, Pierre’s life changes dramatically. In her new film, director Anna Muylaert explores the mother-child relationship through the eyes of a rebellious son whose whole world unravels overnight.

A boy is left alone in a Jewish neighborhood in the year of 1970, where both world cup and dictatorship happen in Brazil.

A young wizard must create new spells in his magic book before the planets align. His uncle and aunt, powerful mages themselves, help him achieve that. Based on the award-winning Brazilian TV series.

To escape her abusive husband, garbage collector Gal packs her two young children, Rihanna and Benin, onto the top of her cart and heads across São Paulo to her cousin’s house. As she struggles to avoid the dangers of the streets along the way, she convinces the children that they are on a big and exciting adventure. When they arrive at her cousin’s house, they are warmly welcomed and fed. However, what initially seems like a safe haven soon turns out to be a trap. Gal realises that not only her own safety is at risk, but also the future of her children.

The series “Mundo da Lua”, produced by TV Cultura in the 90s in Brazil, returns in another logbook by Lucas Silva e Silva. The documentary “Diário de Bordo de uma Viagem à Infância” is the meeting of those who were in front of and behind the cameras, telling the backstage of the series, and also the fans who followed on TV.

A brief overview about the rock movement from São Paulo bands such as Titãs, Ira!, RPM and Mercenárias, presenting their performances from the festival Hollywood Rock in 1988. The documentary also presents interviews with some rock n'roll fans.

A high class lady from Brazil falls into a fake kidnapping scam when she answers a stranger’s phone call. Believing that one of her daughters has been kidnapped, she is guided by a terrifying voice for 12 hours through the cities of Sao Paulo and Rio de Janeiro.

Durval and his mother Carmita live at the back of a record store they own in São Paulo specializing in vinyl records. They lead a boring and unattractive life, until the day Durval hires a maid, Celia, to help his mother with the housekeeping. However, on her second day, Celia goes away leaving a 5-year-old child behind, Kiki, and a note promising to be back in a couple of days. Durval and Celia are charmed by the child at first, but soon they see some sad news about Celia and Kiki on TV that change the whole situation.

The story of Orisbela, a young and religious woman who comes from Portugal to Brazil to marry Francisco de Albuquerque, a rude sugar-cane plantation owner, in 1570.

Check out the hilarious story of luck and misadventures of Tino, a family man whose life is transformed after he wins the lottery. Dazzled by wealth, this boaster spends all his money on a life of luxury and ostentation. But after finding out that he is bankrupt, he faces comical situations: besides not telling his wife he is broke because she is pregnant and cannot get upset, Tino must accept help from his neighbor who is an extremely thrifty financial adviser and the only one capable of getting him out of the rut.

Elias is a handsome young deputy manager in a garment factory in São Paulo. When he’s not working, he enjoys casual encounters in the big city. The arrival of a young African, Fernando, on the production line piques his interest and Elias finds himself increasingly drawn into socialising with his work colleagues.

Three metropolitan stories entwine in São Paulo. Would-be actress Marina arrives in the city looking for independence, falls madly in love with Justine, a bisexual rock singer, and is swept up into her wild, edgy lifestyle. Marina shares a flat on Avenida Paulista with Suzana, a mysterious lawyer who begins a relationship with a male colleague who is unaware that she's transsexual. Jay lives a few floors above them. He is a frustrated writer trying to give a meaning to his life by idealizing a stunningly beautiful prostitute, whom he transforms into a sort of muse. Following the frenetic pace of the city, the three "Paulista" characters will experience the euphoria of passion and its downside.

A gritty observation of precarious romance, debauchery, and heartbreak between addicts living in a São Paulo hotel.

A look behind the scenes of Durval Discos, following the creative process, the production, and the decisions that shaped the project.

Biographical film of Sister Dulce, who, in life, was called the “Good Angel of Bahia”, also nominated for the Nobel Peace Prize and canonized by the Catholic Church. Contemplating from the 1940s to the 1980s, the film shows how the Catholic nun faced an incurable respiratory disease, machismo, the indifference of politicians and even the dogmas of the Church to dedicate her life to the care of the miserable, leaving a legacy that continues today.

Jongo, a renowned photographer, and Candinho, a young and inexperienced journalist, arrive at a decaying country club of São Paulo's high society, run by women involved with the law.

Three brothers embark on a journey that begins with a kinship with Brazil's indigenous tribes, to their creation of South America's largest national park.

Produced for TV Cultura within the project Telefilmes IV: Music and City, this made-for-TV film follows the story of Erica, a 14-year-old teenager growing up in Brazil, who has to learn how to deal with her British mother who is going off the rails. Living amidst an anxiety that switches between fear and love for her mother, Erica tries to find her way in a ship that seems to be sinking rapidly. It is in this moment that she picks up a guitar, and in her relationship with it, finds a way to re-shape her reality.

Nino is a 300-year-old boy who lives with his uncle, Dr. Victor, a sorcerer and scientist, and his great-aunt Morgana, a 6,000-year-old witch. The three of them live in a castle in the middle of the city of São Paulo. Apprentice sorcerer, Nino has never attended a school, because of the unusual age of 300 years. His parents left him living with Victor and Morgan, because they needed to travel on an expedition into outer space, taking their two younger brothers. In spite of having animal and supernatural friends in the Castle, Nino, feeling lack of friends like him, decides to do a spell he learned with his Uncle Victor, and ended up bringing to the Castle, three children who had just left school. Free of loneliness, Nino receives the visit of the three daily.

The show features Lucas Silva e Silva, a boy who earns a recorder from his paternal grandfather, Orlando, at the age of 10. Amid the typical problems of moving from childhood to adolescence, Lucas creates stories on the tape recorder from how he would like things to be. He lives at his grandfather's house with his parents, Rogerio, a teacher who works out for three jobs and Carolina, who works in a boutique; the older sister, Juliana; and maid Rosa, who dates Marcelo and talks to broadcaster Ney Nunes on her radio.

The adventures, dramas and lessons learned from a smart, nutcase boy who uses a saucepan as his hat, in three stages of his life: with five, ten and thirty years.