Saïda Jawad

Paris 1577 - King Henri III gives famous couturier Pic Saint Loup a crucial diplomatic mission. He must go to Spain to make a magnificent gown for the wedding of the King's nephew to the daughter of a Spanish noble. The trouble is that the real creative brains behind Saint Loup's outfit is his Moorish assistant, while his perfumer is a Marano Jew and his hairdresser is out, loud and very proud. And Catholic Spain, in the grip of the Inquisition, is no place for Arabs, Jews and homosexuals (Saint Loup is anything but heterosexual). To make matters worse, his secretary is an undercover Protestant plotting revenge for the St. Bartholomew's Day massacre and the father of the bride turns out to be the Chief Inquisitor of Cordoba.

Diagnosed «crap with girls» by his friends, Anis’ love life has barely a pulse. Three years after the loss of Isma, his best friend and mentor, Anis takes his courage in both hands and decides finally to get out and meet people again. And the person he meets is Madeleine. Thinking she’s way out of his league, Anis gets tangled in a web of silly lies trying to impress her. But something huge is about to start. An unexpected thing. A thing called love.

Un conservateur terrorisé par les plantes vertes, une mère plastifiée pour être exposée, un ballet de Saintes Vierges, des gardiens épuisés par Rodin, un ministre perdu dans une exposition de sexes, une voiture disparue au parking Rembrandt, des provinciaux amoureux des Impressionnistes, touristes galopins galopant d'une salle à l'autre, passager clandestin dans l'art premier, Picasso, Gauguin, Warhol, ils sont tous là dans ce petit monde qui ressemble au grand, dans ce musée pas si imaginaire que ça, valsant la comédie humaine jusqu'au burlesque.

A look at French president Nicolas Sarkozy's rise to power.

The story of Ali Baba, who takes on forty thieves to save the Caliph of Baghdad and prevent a war between the Orient and the Occident.

17, rue Bleue is an autobiographical drama about an Algerian immigrant's self-destruction in Paris. In it, director Chad Chenouga recounts how his mother, Adda, came to France as an illegal alien, hoping to escape the haunting secrets of her native land, and seeking a new life of wealth. When Adda falls in love with her employer, a wealthy Parisian named Merlin, she believes her fortune is within reach. But troubles begin when Merlin suddenly dies, leaving behind no clear will. Adda, believing in the Algerian superstition that a beauty mark on her son's hand signifies great wealth to come, throws herself into a losing court battle to win Merlin's estate. As legal defeats mount up, Adda turns to drugs, driving away friends and family members, until she's left with only her son, Chad. When he turns 16, his mother dies from her many years of drug abuse.