Kateřina Frýbová

After a queen's tragic death, the king abandons his newborn daughter in a cave, but a witch saves her. Years later, the tomboy princess must confront and ultimately falls in love with the enemy king.

Unlike any other opera, the so-called Beggar's Opera is not just one composition, but a lineage of adapted compositions, beginning with the original hugely successful 1728 political satire written by Englishman John Gay. Composers and writers have penned variations on it ever since. The most famous of these was A Threepenny Opera by Bertholt Brecht and Kurt Weill. Some things these compositions share in common is their setting among the poor and criminal classes, and the roguish character Macheath. This production is based on an adaptation of Gay's original by Vaclav Havel the freedom-fighter, writer and philosopher who became the first (and only) president of the united post-communist country of Czechoslovakia, and it retains many traces of its theatrical origins. Film reviewers were not too tolerant of what they called "slavish adherence" to the noted Czech writer's stage production, but theater, philosophy and history buffs may feel otherwise.

The distinctive artist, typographer, and writer Josef Váchal is known to the public primarily for his Blood Novel. The surrealistic exuberance of this defense of 19th-century pulp fiction caught the attention of Jaroslav Brabec and his colleagues, who found a corresponding image of 20th-century "trash." The authors' interest focuses primarily on the silent film era, with a journey through the history of cinema continuing through the advent of sound film to the present day (auteur cinema of the 1960s, modern horror), formally employing techniques such as tinted film. The versatile parody intertwines a colorful plot with the story of the author (Váchal/Paseky), who comments on and creates his book, and is further split in the plot into the characters of Fragonard and the Master. As with Váchal, reality increasingly enters the fiction, so that the only "happy ending" turns out to be the artist's finished work.

Two criminal gangs are ruthlessly fighting for a 1-million dollar check that, purely by chance, got into the flat of shy high school teacher George Camel. As the number of victims sharply increases, Camel is mistakenly regarded as a mass murderer and cunningly uses his horrifying reputation to get the respect and heart of his beloved Sabrina, a journalist from a local newspaper. But this game turns out to be risky and in the end, both gangs don't hesitate to seize the check at all costs, including an improvised operation

A crime story about Western diplomats in Prague.

Czechoslovakia 1918. The newly formed National Assembly has made Stoklasa the administrator of the Kratochvile Castle. Although with no aristocratic background, he is a man of fortune and is trying to buy the castle. To impress his neighbors and the local politicians he invites them to a great hunting party. Uninvited comes a man who claims to be Duke Alexej. Stoklasa believes him to be a hustler. This hustler, however, manages to charm all the women before he leaves.

The subject of this film, which takes an analytical look at the life of all of us with an analytical eye, is the evil microbe that has slowly infiltrated the organism of the Czech nation. Through the intertwining fates of three couples, it evokes domestic life before November 1989, burdened by a suffocating atmosphere of unfreedom, and after November, when relatively nothing has changed because people have not changed. The bleak conclusion suggests that the plague epidemic is still ongoing.