Seo Wol-yeong

This melodrama follows the trials and tribulations of a single mother who dares to love. Hyun Hee (Mun Jeong Suk) makes a living running a coffee house. She has to support her illegitimate daughter and mother, and bear the scorn of those who look down on her. Hyun Hee falls in love with a married writer (Kim Jin Kyu), while another customer (Choi Mu Ryong) holds a torch for her. The romantic triangles that unfold lead to tragic consequences.

Chun-hyang, the only daughter of an old gisaeng named Wolmae, falls in love with Lee Mong-nyong and promises to marry him. But Lee leaves for Seoul with his father who's an aristocrat, and the new governor, Byeon Hakdo, covets Chun-hyang because she is the most beautiful girl in town. When Chun-hyang rejects his order to serve him at night, Governor Byeon sends her to jail. In the mean time, Lee passes the state exam and becomes a special undercover agent of the king. He comes back to where Chun-hyang lives to save her and punishes Governor Byeon.

At the close of the reign of Sin the Great in Goguryeo (B.C.37-A.D.668), royalist Uso is executed by a false incrimination made by a treacherous retainer Yangsin and his sister Jangssi. His daughter becomes a royal concubine of King Nammu, and called Her Majesty Yeonghwa. She revenges herself on the party of Yangsin. After the king passes away, she makes his brother Yeonu accede to the throne and has the whole country under her thumb. But she has no child. When the king begets a son from another woman, she dies of jealousy at last.

Queen Min makes regent Prince Daewon withdraw from ruling with the help of the Min Seung-ho Party.

After facing hard times, an orphan Korean boy gets adopted to Japanese society. He meets several Japanese people who are kind to him, and grows up wanting to repay his debt to Japan, by becoming a kamikaze pilot.

A historical drama about Prince Yeon-san of Joseon as a prince trying to restore the status of his mother, the deposed and executed Queen Yun.

Heo Seung, who states that he was “born from soil, will live in soil, and die in soil”, becomes a lawyer in Seoul. However when villagers in his hometown are imprisoned for protesting against Japanese oppression, he decides to return to his village and rediscovers the true way to help his country.

Lee Suk-hui (Choe Eun-hui) lost her husband to the Korean War eight years ago. She runs a dressmaking shop that has fallen into debt. When Kim Sang-gyu (Kim Jin-gyu), the executive director of a publishing company, helps her pay off debts, she falls in love with him. He, however, is engaged to the daughter of his boss, Ok-ju (Do Geum-bong). His sister (Ju Jeung-nyeo) pushes him to marry the boss's daughter, hoping that will bring him rapid success. Meanwhile, Suk-hui's grown-up daughter Gyeong-hui, wanting her mother to be happy, urges her mother to marry Sang-gyu, but Suk-hui vacillates between social mores and her own happiness. Even though she and Sang-gyu truly love each other, she decides to leave him and heads for her country home after selling her house in Seoul. Hearing the news, he who is ill in bed hurries to Seoul station, but it is too late. All he can do is just to stand on the platform and to watch her train pulling away.

A young filmmaker and his crew struggle to bring the famous Korean story of Chunghyang to the big screen. Torn between two very different women and facing financial ruin, the director makes a rash and foolish choice in order to realize his dreams.

A poor boarder inherits 30 million dollars from an American soldier whose life he saved during the Korean War. The stingy landlady instantly turns into a completely different person, women swarm around him, and charities ask him for donations. Gangsters come forward and try to kill him...

Master Maeng is very proud that an influential family will soon be his esteemed in-laws when his loving daughter, Mi-yeon, marries their son. A few days before the wedding Maeng hears a rumor that his future son-in-law has a cripple leg. Regretting that he can't give his lovely daughter to a cripple, he decides to marry his maid to him instead. Unexpectedly the future son-in-law shows up at the wedding hall and he is not a cripple, but a healthy and handsome youth. Feeling embarrassed, there is no way but to wed the maid to him. The Wedding Day is a recreation of A Happy Day of Jinsa Maeng, a comical play by Oh Yeong Jin. The first Korean film to win an international film award, the Best Comedy Award at the 1957 edition of the Asian Film Festival (now Asia Pacific Film Festival).

The film is based on the 1925 short story of the same title by Na Do-hyang and revolves around the story of a deaf farm hand who is in love with a landlord's daughter-in-law.

Cinematized version of Lee Kwang-su's novel, which tells the story of the dream Josin had, a Buddhist monk at Naksan temple in the era of the Three Kingdoms. In his dream, Josin lives in anxiety and agonizes over a woman. In the process, he lives his whole life and becomes enlightened.

At the end of the Joseon Dynasty, shortly after the Eulsa Treaty has been forced to be concluded by Ito Hirobumi and the pro-Japanese courtiers, Japan pressures King Gojong to step down from the throne. Meanwhile, An Jung-geun, who is cultivating men of ability at Samheung school, is deeply impressed by a speech made by An Chang-ho, and heads for Russia to volunteer the army fighting for independence of the country. As both a lieutenant general of the Korean militia and a commander of the Korean expeditionary force in Manchuria, he carries on the independence movement in defiance of Japanese coercion.

Out of fourteen ministers taken away by the communist troop, only two come back alive. The mystery behind their survival is at the issue here. Told through one of the survivor's testimony, depicts images of men troubled between the war and the religion. Although laden with anti-Communist notions from the 60's military regime.

Two Korean conscripts undergo Imperial Japanese Army training, much to the pleasure of their families.

The son of a freedom fighter, Sang-hun is a member of an anti-Japanese resistance group called "Seongjinhoe," composed of students who share a dedication to the cause of liberation. Their spiritual guide is a teacher named Song Un-in. One day, Yeong-ae, whose brother is a detective in the Japanese police force charged with monitoring independence movements, joins their group. Following a series of sporadic incidents, the students gather one night to resolve on an uprising, but are discovered by the police. Young-ae is wrongfully accused of betraying their plans, but she risks her life in order to allow the group members to escape. The morning after, the students of Gwangju rise up against the Japanese government.

The widow of a nobleman bears a son after having an affair with her servant. The servant and the baby are driven from the home by the woman's irate in-laws when the truth is discovered. Even after the child is grown, no contact is allowed between he and his mother who now denies the events of her past.

Prince Yeonsan-gun turns into a tyrant out of grief for his mother's death. He orders beheadings of all the officials who displease him or who advised the previous king to depose the queen. He becomes crueler by the day. But in 10th year of his reign, he is kicked out of the throne and dies a tragic death.

Sook-kyung, the youngest tomboy princess, loves playing hide and seek with her same-aged court ladies and is extremely curious about the life outside the palace. An opportunity comes for her on queen mother’s birthday celebration. Princess Sook-kyung gets to explore the outside world with the help of her older sister princesses and falls in love with a Seonggyungwan scholar she meets coincidentally. The variety of character twists in this film which is reminiscent of romantic comedies such as Roman Holiday and Shakespeare’s Twelfth Night. The queen mother with a fancy royal costume but wears glasses because of her poor vision, and the court ladies who protect the princess day and night are usually slow and doze off but have the strength to push against male henchmen. The princes outside the palace walls seem like that of a naïve country girl who eats a rice cake at the marketplace because she thinks it’s free.