山田惠一郎

Tomoraka Tasaka's first postwar work.

Kamezo, a manzai comedian, had been taking a break from performing while his partner Tsuruko was giving birth, but Tsuruko announced that she was retiring from the stage. That child was, in fact, the son of Takashi Yashiro, a politician with a promising future. Believing that a relationship between a politician and a female manzai comedian would bring unhappiness to Yashiro and his wife, Tsuruko changed her address and was even preparing to leave the stage. Tsuruko’s alcoholic father, having caught wind of this, snatched the child, Yoko, and squandered the small sum of money he had received from Yashiro on drinking.

Enoken's first film at Daiei.

Ken Uehara plays the role of a prominent figure in the red-light district and portrays his violent personality.

A film filled with eroticism and humor, set in the Northern Alps where a naked woman has appeared, as depicted in the article “Naked Woman Appears in the Jungle,” and featuring a showman and a newspaper reporter.

Movie about biological mothers, foster mothers, and stepmothers.

The sincere, selfless love of a foolish mother for her daughter set against the backdrop of the circus.

Deep down, a dark shadow always lingered in the heart of Ushio, a young prosecutor who had made a name for himself by cracking down on organized crime. In the bribery case involving his old college friend Ayao, he had sought a two-year prison sentence in accordance with the law. Ayao took his own life, and his family was torn apart by the world’s persecution.

A beautiful but sad romantic melodrama about three sisters who are uninhibited, pure and lovely, and who stand tall like the peaks of a place that has endured the winds and snow of love! Eisuke Taniguchi (Shimizu), president of Towa Electric Works, has three beautiful daughters. The eldest, Kozue (Todoroki), is an intelligent and dynamic modern girl, the second, Yoko (Otowa), is a modest girl with Japanese tastes, and the third, Hanayo (Wakayama), is a mischievous girl who has not yet lost her schoolgirl temperament. All three have feelings for Kiichiro Matsuzaki (Uehara), the president of a magazine company. He was married to Kozue, the eldest daughter, by agreement between their parents, but it was Yoko whom he loved, so he asked her to end her engagement to him.

A realistic film that sharply portrays a cross-section of postwar society.