Mika Kaurismäki

A portrait of the brilliant, extravagant Kristina of Sweden, queen from age six, who fights the conservative forces that are against her ideas to modernize Sweden and who have no tolerance for her awakening sexuality.

Margarita Mamun, an elite Russian rhythmic gymnast, is struggling to become an Olympic champion. It is the most important year of her career and her last chance to achieve the ultimate goal, the gold Olympic medal. The film creates a captivating portrait of a young woman who is desperately trying to handle her own ambitions and meet the expectations of the official Russian training system.

An aspiring Hollywood actress, on a visit to a charming North England town, has a brief fling with the town undertaker, who also writes obituaries for the local paper. Returning home, where she works as a waitress at a Japanese restaurant, she tells everyone about the handsome "writer" she met on her trip. Unfortunately, he decides to follow her back to Hollywood, setting up the expected light romantic comedy with asides as the newcomer gains experience about the goings on in Hollywood.

Nikander, a rubbish collector and would-be entrepreneur, finds his plans for success dashed when his business associate dies. One evening, he meets Ilona, a down-on-her-luck cashier, in a local supermarket. Falteringly, a bond begins to develop between them.

Miriam Makeba was one of the first African musicians who won international stardom and whose music was always anchored in her traditional South African roots. Miriam Makeba was forced into exile in 1959. She sang for John F. Kennedy, performed with Harry Belafonte and Nina Simone, was married to Hugh Masekela and also Stokely Carmichael. Her life was tumultuous. She always stood for truth and justice. She fought for the oppressed most importantly for black Africans, as a campaigner against apartheid. She died November 2008 after a concert in Italy. Mika Kaurismäki's documentary, traces fifty years of her music and her performing life. Through rare archive footage of her performances and through interviews with her contemporaries we discover the remarkable journey of Miriam Makeba.

Grump's life follows the same familiar routines: spring is here and the early potato harvest is ripening. But Grump crashes his beloved Ford Escort and the car has to be scrapped. A new, modern vehicle is no match for quality and the nearest Escort, a 1972 model, can be found in Germany. When the Grumps's sons refuse to help, he must travel to Germany alone.

April is the Cruelest of Months is a 1983 film directed by Suvi-Marja Korvenheimo, also known as Anssi Mänttäri, and the final part of the Korvenheimo trilogy. It was named after the first verse of T. S. Eliot's poem series The Waste Land. The film, shot in ten days, is a satire on the candles of Finnish culture.

While on a shopping trip, Grump smells Saimi, a woman who smells just right and throws the whole man in a state of confusion. The Grump would not have believed that his chest could still feel like a young boy's. The Grump has to admit that he enjoys Saimi’s company. The words, looks, and touch of another awaken long-forgotten feelings. The Grump’s sons are incredulous and downright jealous of their father, and they don’t want to trust Saimi’s sincerity… could she be after the inheritance? Family meetings, misunderstandings, moonlight swims, and sleepless nights. Indeed, Cupid's arrow can pierce even an old man's flannel shirt.