Konstantin Gradopolov

Since director Sergei Yutkevich was a longtime lover of American slapstick, his first films were imbued with a playfulness and cheeriness not typical of Russian cinema. And Kruzheva is a good example of that as he illustrates the friendly rivalries between the youths on village in both a very rough and clowning way.

A boxing coach is trying to return back to the ring his best athlete - Nikita Krutikov.

The young boxer Kirill Kochevanov in the training battle of the qualifying rounds with the champion Peter Dorokhov loses the decisive meeting and, it would seem, now he should not get into the team for a trip to Europe. However, according to the decision of the commission, which saw great makings in the athlete, Kochevanov, together with the best Lightning boxers, goes abroad. After several meetings won, our athletes receive the challenge of European champion Henri Lance. Having well studied the tactics and strategy of the battle of Dorokhov, Lance promises all journalists to knock out the opponent no later than the fourth round. However, the opponent of Lance is declared Kirill Kochevanov. In the fourth round, Cyril goes on the offensive, attacks Lance and wins the battle.

Fred, a young British sailor who accidentually finds himself in the USSR and after a number of comic adventures he, attracted by Soviet youth enthusiazm, goes to take part in Dneprostroy (building of Dnepr power station).

Komsomol member Pavel Kudryashov, after seeing his pregnant wife to the village, sheltered a young woman who had fallen behind the train. In Paul's friendly relations with an outside woman, the local philistinism saw a criminal connection. Lost movie.

Fairy tales story about culture revolution in a small russian village. Two inventors head to propose a machine for easy soap packaging while evil capitalist tries to destroy the machine and gaslighting friends.

A border guards are hunting a spy infiltrated to the USSR.

Jacob, a farmer, returns from the war to his wife Marie and begs the landlord baron for a plot of land to rent. The Baron grants the request, but only for a barren, rocky, useless acreage. The pair struggle to make do on this land, but then the Baron demands that Maria leave her husband to serve as wet nurse to his married daughter Anya's new baby, on threat of eviction. While nursing the daughter's baby, Maria receives unwelcome attentions from the daughter's husband, and a scandal erupts, ruining Maria in her husband's eyes. When she escapes from her employers and seeks to return home, the police give her the yellow passport signifying a prostitute, further degrading her. She approaches home, unsure of the reception that awaits her.