Jim Gérald

A washed-up filmmaker gets a second chance at stardom when he discovers stunning peasant Maria Vargas dancing in a Madrid nightclub. Goaded by his producer, the director convinces Maria to screen test for, and then star in, his next big picture. But as the producer's possessive nature and the realities of stardom weigh on Maria, she seeks a genuine lover with whom she can escape.

In 1890 Paris, Moulin Rouge is a nightclub where crippled artist Toulouse-Lautrec feels like he fits in. In the following years, he meets two women who provide an opportunity for him to find true love.

When a reclusive, enigmatic millionaire dies suddenly on the Riviera, his press agent begins to investigate his employer's shady past.

Prosecutor Etzel discovers that his father has sentenced a man, Leonardo Maurizius, on mere presumptions. He then makes it a point of honor to trace the sources of the case to uncover the truth.

Four noble ladies, four widows, live in isolation in a Berry ch teau. There's the Mme de Bussange, her two sisters Sylvie and Hélène, her sister-in-law Elisabeth and her little boy, who alone will pass on the family name. Two men come along: Gilbert and René, bringing trouble and confusion. Gilbert courts Hélène, while René becomes attached to Elisabeth. Relations between the widows become strained and heated, until an attempt is made on Elisabeth's life. The culprit, Sylvie, kills herself. In despair, Mme de Bussange sets fire to the castle and dies in the inferno.

Three stories, very different in space and time. Lysistrata, a dancer from ancient times, Jeanne d'Arc, medieval warrior and Elisabeth, American war widow who comes on pilgrimage in Italy.

The French language production of original German film The Testament of Dr. Mabuse.

A society heiress and a resistance fighter are tragically killed at the same moment and meet in the afterlife. They are offered a second chance at life if they can prove their love is real or be doomed to roam the earth as ghosts.

Dr Pierre Richard learns that his wife Madeleine has been unfaithful for years. This comes as a shock after a decade of supposedly wedded bliss. Back home, he demands answers, and a long night of explanations ensues.

Lagardère protects Aurore, the granddaughter of the Duke of Nevers whose deceitful Philippe de Gonzague covets the inheritance.

It all begins with the discreet romance between the Creole maid Lea Mariotte and her young boss, George Brissac, an amoral bourgeois who plans to inherit his uncle's fortune and marry a young woman from a good family. After an incident where she kills a man, she is saved from the gallows by Fabian, a ship's captain, who has personal reasons for antagonizing the Brissacs. He takes care of her and falls in love with her, but doesn't tell her. She, in turn, takes the opportunity to return to her lover Brissac's arms, forcing him to marry her after seeing him murder his uncle.

Three sketches that all start in the police station, where Léa, La Pintade and the brigadier himself tell their little stories. The story of Danielle, who bamboozled the impresario Mortimer so well that he made her his wife; the story of the sad little Simon, deprived of a father and unable to stand the mockery of his friends; and the story of the daughter of an ex-convict who - by golly - steals a statue on the day of her First Communion.

Historical film directed and written by Sacha Guitry follows the the history of Paris from its founding through the significant events in the city's history.

Frédéri, a young man from a good family, is in love with a woman he met in the arena of Arles. He wishes to marry this woman.

Drummond goes up against foreign agents who are trying to steal plans for a top-secret aircraft.

Around 1900, Zaza was the undisputed star of the "Variétés parisiennes". Bonded with pianist Cascard, she indulges in adventures and falls in love with handsome Bernard Dufresne. A short affair. Surprised by her friend's behavior, she believes he has a mistress in the provinces. In reality, he is married and Zaza, faced with her daughter, prefers to step aside. From now on, she'll live for her art, and will always refuse to renew her acquaintance with the man who made her suffer.

Fernand has just inherited a saloon in Texas from an uncle in America. Despite his inheritance, he is considered an intruder. Soon he's the victim of a cruel plot: accused of murder, arrested and kidnapped by Indians and gangsters. A young, beautiful, pure-hearted Indian, moved by Fernand's kindness, accompanies him back to the village. She's sure to become the owner of the Texas hotel.

During the stagecoach trip of a frightened group of inhabitants of Rouen, Elisabeth Rousset, known as "Boule de Suif", renders these people a signal service, but comes up against their stupidity and their sufficiency. A little later, Boule de Suif assassinates the formidable Prussian lieutenant whom his friends had nicknamed Fifi and who shamelessly displayed his taste for pillage and his sadistic tendencies.

A bag of loot is stashed in a piano that belongs to a family of traveling entertainers. A gang of robbers tries to get the loot back, and though they kddnap two members of the troop, the third, a young boy, has run off with the piano.

To conceal his nighttime infidelity from his wife Gisele, Pierre calls in a particularly shady private detective to concoct an alibi. He is introduced to a certain Robert Crémieux, who will pass himself off to Gisèle as a childhood friend with whom he spent the night until the early hours of the morning. The so-called childhood friend turns out to be a delinquent accused of burglary and rape on the very night he was supposed to be with Pierre. Pierre is immediately suspected of being his accomplice and, trapped by his own turpitude, arrested. Entangled in his lies and denials, he has to admit his infidelity to get out of the impasse.

A deceived husband asks his priest to bring back the frivolous wife.

A twenty year old Anouk Aimée stars as Albertine, the daughter of a bourgeois couple who house a young officer during the Napoleonic wars. Newly promoted, the officer (Jean-Claude Pascal) is quartered by a dull bourgeois couple who treat him with a cold politeness bordering on indifference.