Madeleine Guitty

In Gossette (1923), Dulac experimented with and designed a number of special lenses and prisms to produce a variety of effects and multiply the expressive means which translate the characters' visions and mental states. She also reversed class and gender roles, as she made the female character Gossette come to the aid of Phillipe de Savières, falsely accused of murder, in order to save his name.

Also known as Lilac, this early Anatole Litvak-directed talkie was based on a play by Tristan Bernard and Charles Henry Hirsch. The story bears traces of the Bertold Brecht-Weill piece The Threepenny Opera, with heroine Lilac (Marcelle Romeo) consorting with the criminal scum of Paris. Lilac falls in love with a handsome detective (Andre Luguet), but he doesn't let his emotions stand in the way of his duty, and in the end he reluctantly turns her over to the authorities. At $120,000, Coeur de Lilas was one of the most expensive movies to come out of France in 1931, but it more than made back its cost at the box-office.

Rémy (Robert Lynen), a stolen child is adopted by a wandering singer. With him and his trained animals, Rémy travels the roads of France. But his adoptive father dies and Remy, who has knowledge of a boy who knows something of his history, sails for England to find his mother.

A woman enters a police station at night to ask the commissioner to help her get rid of her dead lover's body to protect her honor.

Duparquet is the controller of Les Halles, and plays matchmaker between the young farm-girl Ciboulette and Antonin, a young spoiled aristocrat.

Two unemployed musicians dress up as women to be hired by an all-female orchestra called "Tulips from Holland"; they fall in love with two gorgeous musicians.

An unhappily married woman devises a scheme to get rid of her husband.