Madeleine Guitty

An unhappily married woman devises a scheme to get rid of her husband.

If Fernandel did not appear in a supporting part ,another short (by E.Chotin who made dozens of them)which would not have been restored.But Fernandel is here ,playing a street pedlar selling luxury (sic) clothes on the flea market with a gorgeous girl as a model.This is a rather desultory script but Fernandel's presence makes the short worthwhile.He sings one song: "le Père Lapuce". A wealthy antique dealer, having started in the flea market in the past, settles his son there, an unrepentant nuke, to teach him how to work. There he meets a treasure: his future wife.

Duparquet is the controller of Les Halles, and plays matchmaker between the young farm-girl Ciboulette and Antonin, a young spoiled aristocrat.

A woman enters a police station at night to ask the commissioner to help her get rid of her dead lover's body to protect her honor.

Rémy (Robert Lynen), a stolen child is adopted by a wandering singer. With him and his trained animals, Rémy travels the roads of France. But his adoptive father dies and Remy, who has knowledge of a boy who knows something of his history, sails for England to find his mother.

A mix-up between a young lord and a music hall singer gives rise to multiple complications that begin on board an ocean liner, continue in the salons of the English aristocracy and end in the wings of a spectacular revue, and in the film studios.

A young orphan is taken in by a couple whose son, falsely accused of murder, is on the run.

Josyane Plaisir, a rather idle singer, who is waiting for the man of her heart,handsome and rich if possible, accepts the offer of a dog handler. The clever man has worked out a scheme to snare rich men. The trick is simple: "Pantoufle", the little dog he lets for 5,000 francs a week, will run off, climb into a luxurious car with only one man inside and "retrieve" him to Josyane, since her address is stuck to the dog's collar. René, the first man who rings her door-bell, is single (or nearly so!), good-looking but ... broke.

Two unemployed musicians dress up as women to be hired by an all-female orchestra called "Tulips from Holland"; they fall in love with two gorgeous musicians.

After squandering his family's fortune, Richard d'Argental, a young marquis, is forced to sell his manor to a young widow, Sylvie. Things get worse for Richard when he finds himself accused of a crime he did not commit. But posing as a butler, Richard manages to be hired by Sylvie so he can hide out in his former property. Soon, love is born between the mistress and her servant.

Jeanne Doré becomes the accomplice of her son Jacques who unfortunately commits a crime to help his mistress, Fanny, find money.

Aspiring stage actress Zou Zou tries to help her childhood friend prove his innocence after he's accused of murder.

Ferdinand is an honest and almost prude chemist at the Fourageot laboratories. His boss, Mr Fourageot, is mostly busy with his mistresses but comes to be worried with his young and outgoing daughter.

Judex the vigilante enjoins crooked banker Maurice-Ernest Favraux to distribute his ill-gotten fortune to the city's poor. The thugs decide to kidnap the financier's daughter.

In the spring of 1913, Jean Servin, a son of a family, became friends with Roberte, a little midinette. He leaves her a few months later to marry Cécile Breton. The years go by. Jean becomes an important businessman. One evening, he meets Roberte, who has become the wife of a wealthy American. She does not love her husband any more than he loves his wife. They recall their memories. They seem to still love each other. They plan to rebuild their lives. Together, they will spend a few days in Dieppe, as they did in the past after their first meeting. They feel so different from what they were twenty years ago that they understand that the past cannot live again.

Father La Cerise sells advice on the racetracks. He finds a wallet and returns it to its owner. The reward allows him to bet himself.

For still being a bachelor at an "advanced" age, César is the laughing stock of the neighborhood. Determined to change things, César goes in search of hearts to take.

An intelligent young worker, enterprising but boastful, repeats to all the winds that, if he were the boss, we would see what we would see. One of the main shareholders of the factory takes him at his word for twenty-four hours.

Open and shut case: Maxime Dartois, the painter, is found dead in his penthouse with three bullets in his body, but the pistol that killed him is still being held by the (fainted) young lady by his side. A detective will find a few odd notes, and the plot thickens when plenty of people are interviewed, and more than one could have the will, and the opportunity, to be the killer, and it is not clear what the relationship of the girl was with the deceased.

American accountant Harry Mascaret made his fortune thanks to an investment and decides to offer himself a stay in Paris with his fiancée Dolly. A burlesque, Roaring-Twenties comedy ensues.

Also known as Lilac, this early Anatole Litvak-directed talkie was based on a play by Tristan Bernard and Charles Henry Hirsch. The story bears traces of the Bertold Brecht-Weill piece The Threepenny Opera, with heroine Lilac (Marcelle Romeo) consorting with the criminal scum of Paris. Lilac falls in love with a handsome detective (Andre Luguet), but he doesn't let his emotions stand in the way of his duty, and in the end he reluctantly turns her over to the authorities. At $120,000, Coeur de Lilas was one of the most expensive movies to come out of France in 1931, but it more than made back its cost at the box-office.

A painter is in love with a girl he suspects to be a kept woman when he sees her in the arms of an old gentleman.

A pious family, a non-believer, and a little boy who suffered an accident, whom a doctor believes is forever doomed to crutches: can he walk normally again due to his faith in the Virgin of Lourdes.