Patrick Lizana

A second-class horror movie has to be shown at Cannes Film Festival, but, before each screening, the projectionist is killed by a mysterious fellow, with hammer and sickle, just as it happens in the film to be shown.

In the last days of the Nazi-occupied France, writer Marguerite Duras awaits the return of her husband, Robert Antelme, arrested for being a Resistance fighter and then deported, while she maintains a tense relationship with her ambiguous lover and a dangerous game with a French collaborationist. Even when the Liberation arrives, she must still endure the unbearable pain of waiting.

The film is set in Marais, a quiet region along the banks of Loire river in 1918. Riton is afflicted with a bad-tempered wife and three unruly children. Garris lives alone with his recollections of World War I trenches. Their daily life consists of seasonal work and visits from their two pals: Tane, the local train conductor and Amédée, a dreamer and voracious reader of classics.

Seaside takes place in a small coastal town on the Bay of Somme. The year-round inhabitants find ways to make their lives work; Paul, a lifeguard in the summer, works at the grocery all winter. His mother, Rose (Ogier) likes to play the slots just about anytime; his girlfriend Marie works in the local factory - the town's biggest business - but watching the summertime vacationers each year just makes her increasingly curious about what else might be out there. From these and several other stories, aided by close, revealing observations, we see a community perched between transition and stasis.

Dimitri joins La Maison, a place where people are welcomed for whom medicine can not do anything anymore. There he meets Suzanne, a volunteer who is dedicated to supporting people at the end of their lives.

Two brothers, one very successful and the other not, switch places with each other, exchanging jobs and wives.

A policeman discovers during a case that he is investigating himself. His wife has witnessed a terrorist attack committed by her lover.

Gaspard de Besse and his gang of highwaymen escaped the law for years in old monsieur de Morières's jurisdiction in rural, Ancient Régime France. When Gaspard is badly injured trough treason, he escapes after being seen in St.Anne's convent, where he hid, by de Morières's young, unwillingly arranged and unloving wife Anne. Gaspard makes a deal with the traitor to fake his demise. He recruits traveling actor Antoine and trains him like a son.

Separated at the birth of his mother who has only time to entrust to a member of his family, Guillaume de Villon, when he should have been killed, François will as well go to the ill-known taverns of the Latin Quarter that the Court of the Duke of Orleans, passing by the benches of the university. This marvelous poet at the same time as a scoundrel of morality will have a life where fights, robberies, imprisonments and final banishment will be linked. Leaving Paris, Villon will disappear.

Alain runs Le Detour, a small cafe in Paris where Antoine works. Antoine is reunited with his sister Marie when she's released from prison; they are very close, perhaps abnormally so, but she's not aware that Antoine has fallen into cahoots with Stephane, who works as a waiter at another cafe. Damien, a local businessman, is pressuring Alain to expand Le Detour, and cut his nephew Xavier in for a percentage as a manager. While Alain waffles on Damien's proposal, Xavier offers Antoine a chance to make some money under the table by delivering some drugs to a cadre of dealers. Antoine makes the drop and picks up the payment, but runs off with the money rather than bringing it back to Xavier, which proves to have tragic consequences for Antoine and his friends.

Ulysse, a gun-toting hood, gets together a team of four people, including himself, to carry out what he thinks will be a fail-safe heist...

Believing she comes from a wealthy family, thugs kidnap a young woman hired as an au pair in Paris.

Joëlle, a simple and energetic young woman, works as a hairdresser for Mrs. Delbarre. When Professor Thibaud, a great bone specialist, asks her to donate her bone marrow for a transplant, on the condition that she does not seek to know the recipient, she accepts without hesitation. But the temptation is too strong and she investigates in order to discover the person who benefited from her generous gesture. It is a handsome young man with whom she immediately falls in love.