Mamata Shankar

A well-off family is paid an unexpected, and rather unwanted, visit by a man claiming to be the woman's long lost uncle. The initial suspicion with which they greet the man slowly dissolves as he regales them with stories of his travels, tales that are at odds with their conventional middle class perspective on the world.

After being molested, Minal and her friends try to file an FIR against a politician's nephew. When the subsequent case gets rigged, a retired lawyer helps them to fight the case.

When a wealthy patriarch falls ill on his 70th birthday, three of his sons rush in from Calcutta, leading to a reunion filled with painful ironies and lingering disillusionment. As the family—including an addled fourth son who lives with the old man—watches and waits, the static occasion brings out simmering tensions in their family dynamics, from the father’s moral rectitude to the business ambition of two sons and the withdrawal of their siblings.

Mrinal Sen is in his early days around the time of India’s independence, where he is a struggling idealist with an all-consuming hunger for cinema but unable to feed himself or his young wife, to 1950s Calcutta, where (alongside Satyajit Ray) he helped start the Indian New Wave cinema movement.

Family tension runs high when four grown siblings reunite at their elderly mother’s home. When the mother reveals that she might sell off the estate, the announcement stirs up painful memories and uncovers a long-buried secret.

It is a film of the childhood tragedic story of three siblings, wher their father lost his job and his family people killed him. The childhood life of those people was in the ancient Darjeeling during the british rule. One of the sibling was recalling the whole past and was writing about that after the independence of Inida. he then went to meet his siblings in distance places, but found them in much much more traumatising and proverty situations, but could not help them.

Ashoke Gupta is an idealistic doctor working in a town near Calcutta. He discovers that the water at a popular temple is the source of an outbreak of typhoid and hepatitis. In order to save lives, he risks his career to try and call attention to this polluted water source, while a local group of building contractors attempt to discredit him in various ways.

‘Pinjar’ is an evocative meditation on captivity—of bodies, of spirits, of choices—unfolding through the entangled lives of five individuals and a wild bird.