Nasir Khan

The year 1947 saw the independence of Pakistan. During this time, the Indian film industry was segregated and the only film production centre left in Pakistan was at Lahore. With the industry reeling in its infancy, it was hard to work on film productions that had been initiated before the independence as many of the working filmmakers and actors had left for or stayed back in India.

Three brothers are separated after their parents are murdered by a gangster. Years later, they find their paths intertwined around a family song.

A child from a dying world is sent to Earth, where his alien physiology renders him superhuman. Bengali remake of the 1978 classic.

A young man believes that an old, supposedly haunted ruin holds clues to both his father’s disappearance and a twelve year old murder mystery.

A village boy seeking work in the city falls for a mill owner's daughter, but their love is tested by escalating labor disputes and class conflict.

A struggling entertainer trying to keep his dance company afloat with the help of his four daughters. However, his wife is worried about the disrepute the profession is bringing the girls and diminishing their chances of marriage.

Set in the aftermath of the 1947 Partition, it follows a young woman whose life is disrupted as she migrates to a new country, while longing for her lover Saeed and struggling with separation and emotional distress.

Dilip Kumar in Triple Role

A ruthless spice merchant in pursuit of ultimate wealth must choose between his fortune and the only woman who knows the true measure of his heart.

At midnight, a village magistrate (Jairaj) turns into a fanged killer in this cross between The Wolfman and Dr. Jekyll and Mr. Hyde.

To escape an arranged marriage, a dreamer flees to Bombay, only to become obsessed with a lifelike statue of a beautiful woman that magically comes alive, leading everyone—including the law—to believe he has gone completely mad.

A 1952 Hindi movie starring Nasir Khan and Nutan, directed by Kishore Sharma.

This movie revolves around a village hospital that was built by a generous hearted man, Choudhury Ramprasad (Ashok Kumar) who is also a patient in the hospital. The other patients include Isamil (Iftekhar), Dayaram (Anwar Hussain), Ratan (Jalal Agha), and the doctor is Dr. Sunil (Sunil Dutt). Amongst the patient is a singer (Deb Mukherji), who loves Shyama (Farida Jalal) a worker in the hospital. When Meeta Sharma (Waheeda Rehman) comes to the hospital to admit her son, she meets Sunil and their romance is rekindled. In the background of the hospital atmosphere is an election in the village, which is proceeding smoothly, but causing a disturbance is Ramprasad's son (Ramesh Deo). Other supporting caste include Jagirdar, Chand Usmani, and Jankidas.

Widowed Govindi lives a poor lifestyle in Haripur along with two sons, Gungaram and Jumna. While Jumna is studious, Gungaram is the opposite, but has a good heart and decides to use his earnings to ensure his brother gets a decent education. After her employer, Hariram, accuses Govindi of theft, the shock kills her. After her passing, Gungaram works for Hariram while Jumna goes to the city to study and becomes a police officer. His first assignment is in Haripur, where he will be forced to confront Gungaram, who is now is the leader of a dreaded band of killer bandits.

A fiery, forbidden romance ignites a conflict between the daughter of a powerful clan leader and a man from a poor family, escalating into a bitter feud that brings her father's wrath and merciless torture upon her beloved.

A 1952 drama directed by Ram Kamlani, starring Nasir Khan and Nutan.

An impoverished father faces challenges and disappointments when he decides to educate his only child.

The narrative deals with the dreams and aspiration of a 16-old-girl, Sheetal (Meena Kumari) caught in the vortex of uncertainty and morality. Desperate for engagement with her neighbour, Shravan (Nasir Khan) who is equally drawn towards her but she is forced into meaningless wedlock with a sick old man.

Shrimatiji is a comedic social satire centering around a middle-class housewife—her misadventures, misunderstandings, and life in a household setting. Though many plot details remain elusive, the tone is light, humorous, and situational with elements of mistaken identity and social commentary. One online synopsis hints at romantic entanglements, familial mix-ups, and comedic twists: the heroine finds herself accused unjustly, love sparks, misunderstandings brew, and identity crises ensue—all resolved by the end 

A renowned but solitary singer discovers the true treasure of life when a forbidden romance with a wealthy patron's daughter forces her to choose between the glittering promise of fame and the genuine wealth of love.

Meera (Nutan) loves Ashok (Nasir Khan). Her step mother (Leela Mishra) wants Ashok to marry Seth ji’s daughter Rani (Shakila). Mira is accused of theft and insulted. Rani tries to woo Ashok,but he does not respond. Mahinder(Iftikhar) a village crook wants to marry Rani and get all her wealth. He plans many plots for this, however Mira and Ashok foil every attempt. Mahinder decides to kill both of them. Learning about his plan, Ashok alerts police, who arrive at the right time and save them and capture Mahinder. Rani then magnanimously,and to the utter displeasure of Leela Mishra, gets Mira and Ashok married.