Stanislav Látal

Trnka’s sci-fi vision of the future in which machines and robots try to substitute themselves into the most beautiful human relationships. A cybernetic robot is supposed to substitute for the loving grandmother of a little girl. The wise grandmother, however, comes back and the girl finds the warmth of her grandmother’s loving arms again. Trnka’s artistic ideas in this film can be described as both poetically fragile and dramatically cautionary.

Two mischievous frost spirits make things chilly for a pair of travelers in this wintry comic folktale.

An animated singing western short in which a cowboy takes on the villain to save his beloved.

A monumental piece of art bringing the heroes of the ancient Czech myths back to life. The picture consists of seven parts: Cech the Forefather, Bivoj, Libuse, Premysl, Girls War, Horymir, Lucka War.

Hurvinek cannot go to a circus because he injured himself when sliding down the stair rail. He daydreams that he is an acrobat riding a scooter and an animal-trainer taming beasts. (MUBI)

"Román s basou" is another short by master a stop-motion puppet-animator Jiri Trnka. The story is based on Anton Chekhovs story "Roman s Kontrabasom". Princess Bibulova decides to go fishing along the river while not far away a bass player leaves his two companions to go for a swim.

The first puppet film shot in CinemaScope. It is based on the famous poetic comedy by William Shakespeare. Three worlds meet in this story: the noble world of three Athens couples, a common popular world of tradesmen amateur theatre and a fairy-tale happiness of magic creatures as elves and nymphs. The film is considered the most remarkable Jiří Trnka's work and a milestone in the history of the world animation.

A barrel organ grinder meets the devil on a mysterious moonlit night in this haunted-house fable, which showcases Trnka’s atmospheric use of sound to conjure a macabre mood.

The first animated picture made by Jiří Trnka for adults. It is a comic story of a legendary chimney-cleaner who, with the help of a spring from an old lounge-chair, became the terror of the Prague-occupying SS troops in World War II.

Adaptation of a fairy tale by Hans Christian Andersen, about an emperor who prefers the tinkling of a bejeweled mechanical bird to the song of a real nightingale. When the Emperor is near death, the nightingale's song restores his health.

A grotesque story about the mischievous bunny's antics while decorating Easter eggs.

The picture, unlike the other film adaptations of the story, focuses much more on Crusoe’s life before and after his stay on the island. Following the principle of setting the novel right, it describes Crusoe’s experiences with delicate irony and understanding.

Animated fairy tale about the mountain ghost Rübezahl and his dealing with a thieving shoemaker.

A careful motorcyclist stops by a cozy pub on his way home to his sweetheart.

Taken from Boccaccio's Decameron, this lovely puppet film tells the bawdy story of the beautiful young Venetian lady who confesses her sinful passion for the Archangel Gabriel to a lustful monk, who promptly impersonates him in her bedroom with predictable results. Amidst the film's ribaldry, the hypocrisy and false piety of the monk are mercilessly mocked.

Health campaigner encourages children to live a healthy lifestyle. The film combines live action with puppetry and animated dolls.

The first full-length puppet film made by Jiri Trnka. Like the painter Ales who illustrated the national songs, Trnka depicts the traditional customs and tales of the Czech village in six separate sequences: Shrovetide, Spring, Legend About St. Prokop, The Fair, The Feast and Bethlehem." A Treasury of Fairy-tales" made Trnka famous all over the world and it is a masterpiece of Czech and world animation.

Bayaya, a young peasant, protected by the spirit of his dead mother, arrives at the castle of the King, where he entertains his three daughters. He soon realizes that the three princesses are nagged by evil spirits. The little peasant manages to rid them of them, fights a duel with a wicked lord who wanted to marry one of the three princesses. He finally wins the heart of the youngest sister while saving the soul of his mother who was in purgatory.

A satiric film that through a lecture of a cracked brain pedant describes the increasing disobedience of children. It calls us for protection against misbehaved children and wants to "defend" the world of adults from disastrous consequences of the ungrateful children's deeds. The film is remarkable for the inimitable humor of Milos Macourek.

Pan Tau always had a gentle expression and a friendly smile, he was elegantly dressed in a stroller, with an umbrella and a white carnation in the lapel. Foremost, he was famous for his magic bowler hat. By tapping on his hat, Pan Tau was able to change his appearance into a puppet, to conjure up miscellaneous objects or to do other magic. His most characteristically behavior is that he would help children who were experiencing some sort of difficulties in-between their dreams and reality, like finding a place for skiing, settling family problems on Christmas, and even give a boy a good time at a fair when he is supposed to have piano lessons. To adults, he usually remained invisible.

Látal's nine-part puppet series completes Trnka's thirty-year-old work on Švejk. He thus completed the adaptation of Jaroslav Hašek's most famous literary work, a tragicomic satire about the wartime adventures of the eccentric Josef Švejk, in a puppet version based on Lada's artistic style.