Leoš Suchařípa

A story about a young medical school student and his adventures.

In the film, the creative forces of personalities from three spheres of art collide. The subtitle "The Game of Love and Hate" refers to the motivation of an old Czech medieval satire, the theme belongs to Antonín Přidal, an expert on this subject. His collaboration with Juraj Herz created a collage of past and present, an updated, sharp satire and a parable about the clash of human qualities that could not but end up in the vault. The music of the Prague Selection - Michael Kocáb and Michal Pavlíček - also contributed to the film's offensive provocativeness - the film was one of the reasons for their complete move to the underground. The dancing chorus of medieval citizens resembles more of a jumble of long-haired maniacs, the edge of a contemporary dump intrudes into the space of a medieval marketplace, and the characters oscillate between the past and the present, whether in their appearance, symbolism or behaviour.

Pan Tau, the friend of all children, now also helps the adults. A movie producer is in trouble and decides to shoot another Pan-Tau movie. But the old Pan-Tau actor Karasek is no longer young enough to walk the almost weightless walk of Pan Tau. Mr. Novak turns up - he resembles Pan Tau like a twin brother. He succeeds every pirouette. And as if by magic, he solves all the problems between people! Who is Mr. Novak? Is he really ...?

Czechoslovak comedy film directed by Ladislav Smoljak, about the fictional national hero Jára Cimrman (universal genius, inventor, sportsman, criminalist, poet, writer and philosopher).

Why? (Czech: Proč?) is a 1987 Czechoslovak drama film directed by Karel Smyczek. It was screened in the Un Certain Regard section at the 1988 Cannes Film Festival. The film deals with the hooliganism in Czechoslovakia, particularly with the fans of football club Sparta from Prague, whose supporters were the pioneers of the football fan riots in Czechoslovakia, starting with hooligan actions already in the 1960s, like breaking the trains in which they travelled when they went on Sparta's away games. The film deals with one of such episodes

Lemuel Gulliver has had a car accident and continues his journey across the unknown countryside on foot. On the road he finds a dead rabbit dressed like a man and takes a watch from its waistcoat breast pocket. The half-ruined house that he enters reminds Lemuel of his childhood and brings up a painful memory of a dearly loved girl Markéta who was drowned years ago. Gulliver finds himself in Balnibarbi, a country where he doesn't understand the laws and habits and so continually offends against public decency. It is a day when people are ordered to keep their mouths shut and they force their visitor to follow suit. He faces harsh interrogation and finds it difficult to explain that he is not the rabbit Oscar whose watch has been found in his possession.

In post-WWII Communist Czechoslovakia, several characters considered bourgeois are sentenced to work in a junkyard for rehabilitation. Among them is a young man who pines for a female convict.

A bachelor named Faun with a Don Juan complex, seized with a hypochondriac's fear of the ineluctable approach of death, enters a race against time's passage. Faun's sexual love is imbued with the narcissistic vanity of a self-satisfied bacchant who even towards old age can't manage to forgo his lifelong pose as an irresistable seducer of women. He desperately searches for meaning in superficial, fleeting sex.

Saxony, devastated by the Thirty Years' War, is led by the comedy troupe of the principal Fortunato. The student Vavrinec has fled Bohemia and greatly values the text of Shakespeare's tragedy Romeo and Juliet, which he has acquired on his wanderings around the world.

The countess celebrates her sixtieth birthday at the moment when she is about to leave her castle. The new workers' government wants to mercilessly destroy the nobility. But because Elizabeth Anna Marie, Countess of Lansdorf and Scheinberg, and later domestic worker Lansdorfová, realizes that "one must keep one's customs and promises, even if they are ridiculous and pointless," she wants to carry out a foolish plan to celebrate her 70th birthday at the family estate, despite the regime and her opponents in the city...

The story, written by former George Stransky former political prisoners and today's chairman Pen Club is situated to 50 years and uranium camp of political prisoners in Pribram, where after the fall of the Stalinist cult comes at the end of 1958 as a prisoner of the former Chief of Main Administration of correctional facilities Colonel Good. Former chief topic of coexistence, "a guard" and political prisoners in the Bolshevik camp served timeless makers to reflect on the possibility (or impossibility) of forgiveness and a sense of justice. The film, unfortunately, below expectations - mainly because of its rarity and lack syžetovou arching dramatic arc of the story, including natural gradation. Nice camera and vice versa are cast, formed literally myriad of top Czech actors. A representative of one of the main roles - Jiri Schmitzer in 1997 was awarded the Czech Lion.

The actress, who is starring in a successful theatre production, is offered a big film role by an Italian director. She decides to leave her current certainties behind and throw herself into the whirlwind of a tempting opportunity, only she doesn't count on the fact that not every expectation will actually come true as she had ideally hoped...

A computer programmer and his son are going out of the city for vacation.

Bohus is indolent and spends his days drinking brandy. One day he finds he has inherited a brickworks, several shops and a five-star hotel. Bohus sets out to tour his new empire, insulting everyone on the way.

The distressing fate of the Czech great Jan Amos Komenský, forced to leave his homeland after the White Mountain disaster. It depicts his encounters with various European personalities of the 17th century - the Queen of Sweden, artists and scientists. It emphasises the hero's nobility, but also his inner resilience, which allowed him to overcome many personal and professional tragedies. The parable of The Labyrinth of the World and the Paradise of the Heart becomes part of the story. However, Comenius's concept is sculpturally lifeless and, in particular, the religious dimension is "erased" from it. The simplistic biography therefore does not avoid schoolboyish dryness.

Engineer Jan Sebek (Jan Kacer) is undergoing treatment in a mental home after his unsuccessful attempt to commit suicide. His therapist, via discussions both with the patient and with people who know him, tries to find out what made the young and seemingly satisfied man decide to end his own life. Jan's pretty wife Jana (Jana Brejchová) claims not to know about anything but she is conducting an affair with a family friend, almost publicly and with the blessing of her parents.

Ten-year-old Frantisek is traveling to Leipzig to visit his German friend Egon. On the train, he shares the compartment with three men. One of them, the bearded, hefty Blasius is polite but at times acts very confused. At the end station the two boys meet, but they must first of all get rid of Blasius, who lifts them up together with their luggage and carries them away. Leipzig is packed with tourists who have gathered for the famous Fair. The eccentric bearded fellow deals effectively with the traffic jam in front of the station. Blasius's fellow travelers from the train - inventors Prantl and Pirwitz, are at the fairground, boasting of their new invention and claiming it to be the greatest surprise of the entire Fair.

Alice Nellis's small-scale debut tragicomedy spotlights small-town elections. The protagonist, a university student name Jana (Theodora Remundová) who is trying to solve a troubled relationship with a married man, takes her mother's place on the election commission. In the meantime the mother (Iva Janzurová) is going through her own small domestic crisis with her husband (Leos Sucharípa). Thanks to excellent acting performances and restrained direction, the film convincingly outlines interpersonal relations and their light social overtones.

A loose continuation of the production of The Fiery Women. The souls of the witches Marta and Magdalena, burned in the 17th century, enter the bodies of two members of a group of antique thieves. Marta is now an expert in antiques, and Magdalena, to her horror, the body of a young man from an antique shop. In addition to the swindles - exchanging for imitations - the group is preparing to steal a valuable painting from a museum. Its employee Boženka is supposed to exchange it for a copy. In the middle of the action, a gas explosion occurs in the museum, and our women come to the bodies. It takes them quite a while to realize that they have fallen into their clutches...

Once again, you can take a look behind the scenes of the Riviera Chateau on the Prague periphery, where a brothel for the socialites is hidden under the guise of an exclusive nightclub. The story takes place in 1930 and although several years have passed since the events of the first volume, the passions unleashed by the intrigues of the time have not cooled down. Once again you meet Renata, called Angel, formerly a prostitute, now the wife of the banker Justice and owner of the Riviera. The elegant Madame, who owned the business before and now works there as a mere manager, is plotting new schemes to get back everything she has...

More than twenty years after the Second World War, a mining engineer named Fischer is revealed as a former member of the Gestapo, Karel Kraus. He is sentenced for murder to eight years in prison and now works with other prisoners on the renovation of the Convent of St Agnes of Bohemia in Prague. Then a car with a foreign registration begins to park regularly close to the construction site. Its crew, a man and a woman, contact the construction foreman, who probably would not reject a bribe offer to perform some service. The prisoner Bicík is appointed to work with Kraus; Bicík gives him a message from Kraus' brother Bert, who lives abroad, that he wants to help him escape.

Every one of us has certainly been in a situation for which he or she is not prepared and is not able to orient him or herself immediately and correctly. And the hero of our story also finds out in a rather unpleasant way that it leads to a number of misunderstandings and bitter mistakes... Jaroslav Falta (J. Abrhám), a nondescript clerk, cannot resist the pressure of several people interested in buying his aunt's house after the hospitalization of his wealthy aunt (A. Hegerlíková). He is charmed and won over by the charm of a colleague from work - Alenka (J. Asterová) - after departure of his girlfriend on a business trip.

Pan Tau always had a gentle expression and a friendly smile, he was elegantly dressed in a stroller, with an umbrella and a white carnation in the lapel. Foremost, he was famous for his magic bowler hat. By tapping on his hat, Pan Tau was able to change his appearance into a puppet, to conjure up miscellaneous objects or to do other magic. His most characteristically behavior is that he would help children who were experiencing some sort of difficulties in-between their dreams and reality, like finding a place for skiing, settling family problems on Christmas, and even give a boy a good time at a fair when he is supposed to have piano lessons. To adults, he usually remained invisible.

Series about the life of Renaissance anatomist, scholar and politic Johannes Jessenius. Already legendary series today, was produced by Czechoslovak Television Bratislava, directed by Slovak director Miroslav Luther in the first half of 80's in Barrandov Studios in Prague. The story and screenplay of the series wrote Czech writer Vladimír Körner. Five-episodes epic historical narration is a biographical story of distinguished Renaissance scholar, anatomist and politic of Slovak origin, Johannes Jessenius (Ján Jesenský, 1566–1621). It displays his life from the first studies and successes. In 1594 he became professor of surgery and anatomy on Wittenberg University, which he had attended years before. From that moment, his life went through social and personal wins and losses, to the sad end on the Prague Old Town Square gallows, among 27 noblemen, knights and burgenses, after lose Bohemian Revolt in 1621. His destiny was coupled with key events of Czech history in the break of 16th and 17th century, when Renaissance and European humanism slowly fade out.