Vincent Lannoo

Vincent Lannoo’s ‘mockumentary’ shows us a community of vampires in Belgium. The two ‘parents’ of the family are George and Bertha, who have two teenage children – or rather, they raise two former humans who they turned into vampires. Son Samson is a bit of a jack the lad: enjoying the sexual freedom of vampire life, with all the vigour of an irresponsible young adult regardless of consequences (even incest is not frowned upon in their world, where the word ‘wife’ is often synonymous with ‘mother’ or ‘sister’). Daughter Grace yearns for humanity in a different way: applying fake tan to get rid of her vampiric pallor, dressing in pink clothes, wishing she could feel emotion and even having a human boyfriend.

Justine, 40, is struggling to reconcile her family life and her job as a police officer in the serious-crimes squad. Then she's accused of stealing money during a raid that goes wrong.

George is a furniture seller. He's a reliable husband and a good father, a loyal friend and a fine handyman. One day on the motorway, he cracks up and kills a man in an outburst of rage. He feels responsible for the man's wife, but terrified by his own violence, he doesn't know how to handle her. This is the starting point for a seemingly never-ending string of problems.

Clara, a lawyer in Annecy, leads a serene but monotonous life with her husband Damien and their two children. One night, she falls under the spell of a mysterious sculptor, Stéphane. This one torrid night will have dramatic repercussions for her and her family...

When Elisabeth, a woman of faith, host of a radio show on a Catholic radio station, devoted to her family and the suffering of the world, is confronted with the pedophilia of priests and the suicide of her son, belief gives way to rage and to violence.

After his parents’ death, Shawn, 19 and mildly delinquent, tries to look after his little sister to cash in on his dad’s life insurance. But you can’t buy love -- and you sure can’t ignore it. Shawn will find out he’s got more to gain by giving than taking.

A funeral-speech writer gets a new lease on life when he meets a widow who commissions him to write a piece for her 8-year-old son.

A documentary crew enters a drama school in Brussels to examine the controversial method of one of its teachers: the Open Door method. The great atmosphere soon disappear as ill-feelings settle.