Aurora Clavel

An aging group of outlaws look for one last big score as the "traditional" American West is disappearing around them.

Pat Garrett is hired as a lawman on behalf of a group of wealthy New Mexico cattle barons to bring down his old friend Billy the Kid.

During the last winter of the Civil War, cavalry officer Amos Dundee leads a contentious troop of Army regulars, Confederate prisoners and scouts on an expedition into Mexico to destroy a band of Apaches who have been raiding U.S. bases in Texas.

After a cavalry group is massacred by the Cheyenne, only two survivors remain: Honus, a naive private devoted to his duty, and Cresta, a young woman who had lived with the Cheyenne two years and whose sympathies lie more with them than with the US government. Together, they must try to reach the cavalry's main base camp. As they travel onward, Honus is torn between his growing affection for Cresta.

Leon Alastray is an outlaw who has been given sanctuary by Father John, whom he then escorts to the village of San Sebastian. The village is deserted, with its cowardly residents hiding in the hills from Indians, who regularly attack the village and steal all their supplies. When Father John is murdered, the villagers mistakenly think the outlaw is the priest. Alastray at first tells them he is not a priest, but they don't believe it, and an apparent miracle seems to prove they are correct. Eventually, he assists them in regaining their confidence and defending themselves.

The film is a typical whodunit story, combined with a "ranchero" and western flavor. A young engineer arrives to his godfather hacienda, along with his fiancée. But the things got complicated when the godfather's wife reveals that she had an affair with the young man. One night, the young man's father is murdered in the wood, and he will look for revenge.

Tizoc wishes to eat a chicken by himself and have his own piñata. At Christmas his father Carmelo grants his wish.

Snippets of a family drama involving a rebellious son coming to his depressing home village, his father, and a jaded ex-lover, mixed with various surrealist scenes and statements about sin.

A tale about the fragile lives of four characters during a month of their lives. One of them, Ana, is waiting for a kidney donor.

Set in the 1920s, several foreigners held by a South American military group are offered possible freedom if they accept to topple a local crazed military leader.

Carrying his son on his back, a man travels from place to place looking for a doctor to treat the sick boy. As they journey, the indio father tells the boy stories to keep him distracted. These stories reveal the life of native peoples in Mexico, both in the countryside and in cities, and they shed light on characteristic beliefs and rituals.

After falling for Alicia, greedy and powerful Mexican landowner Carlos has her fiancé thrown in prison on a bogus charge. To trick Carlos into releasing her man, Alicia teams up with her Aunt Delfina and tries to convince Carlos that he's a ghost.

Reporter/photographer covering a Pedro Infante commemorative event discover an uncanny look-alike lurking on the periphery.

Three-fer anthology of black-humor sex-n-death anecdotes.

The Mexican painter Francisco Goitia, feeling his death approaching, manages to make a memory of his life: the reunion with his country and his people, his permanent search for identity as a man and as an artist and his struggle against the demons of the body and his subsequent religious conversion.

1938, a Central America country. A Frenchman who goes by the name "Le Rital" is hired to take out the local dictator. Young Chico is assigned as his right-hand man, whom he impresses. Will a friendship form between them?

A tragic and epic love that transcends time and generations unites Maria and Javier forever. During important periods in Mexico (The War of Independence, the Revolution and current times) these souls play out their destiny facing political squabbles, social pressures, family hatred and historical battles, seeking to make a relationship flower which seems fated to die.

A mechanic takes his family to a car race and a series of events occur which brings problems, betrayals, violence and the unexpected death of an elderly person.

Aurelio is a shark fisherman who works very hard to send money to his family in the city and keep Manela, his young lover on the coast. One day, he decides to move to the big city.

Arnulfo is a man weaving baskets. Remedios has given birth in front of the house of a woman and her aid, but the village is spread the word that the child born as a child God and an atheist would think exploit to their advantage the "miracle ".

Old man kills his alleged best friend over the title to a piece of land. The adult sons of the two old guys get involved in looking for the murderer.

Idealistic young teacher takes a post in a small, backwoods town and dedicates her life to schooling the village's children.

Fuego en la sangre is a telenovela that began transmissions on January 21, 2008, through Mexico's Canal de las Estrellas network. Starring Adela Noriega, Eduardo Yáñez, Diana Bracho, and Guillermo García Cantú. It is the Mexican remake of the Colombian soap operas Las Aguas Mansas and Pasion de Gavilanes. The theme song called "Para Siempre" is sung by Vicente Fernández. The telenovela received TVyNovelas Award for Best Telenovela, in 2009.

Luisa Fernanda Pérez, a beautiful, 18-year-old student, has two passions: mastering the violin and gardening, a skill she learned from her father, Pedro, the former groundskeeper of the wealthy Altamirano family’s estate. A chance encounter with destiny alters her life after she is injured in a car accident caused by Luis (her biological father), a playboy lawyer and falls for his stepson, Carlos, an attractive, young doctor treating her at the local hospital.

The drama tells the story of Rosa, who lives with her godmother in a very poor neighborhood; she is a simple girl who dresses like a boy. She was abandoned by her mother, Paulette. One day, Rosa goes to a mansion to steal apples and meets the owner of the house, Ricardo.

The story follows Isabel—known as "Chispita"—who was separated from her mother after the latter lost her memory in an accident. After growing up in an orphanage, Isabel is adopted by a widowed businessman, Don Alejandro; he hopes she will bring joy to the life of his daughter, Lili, who has become sad and ill-tempered since her mother's death—largely due to the influence of her teacher, the wicked Miss Irene. However, contrary to Alejandro's expectations, Isabel is not welcomed by his daughter; instead, she must contend with the malicious traps set for her by Lili and Miss Irene. Yet, Isabel also finds friends in the household, such as Juan Carlos (Lili’s older brother) and Gloria (the family’s maid). From her new home, Chispita begins the search for her mother.

Mariana lives with her father, Atílio, and is motherless. He is a very powerful man, and he keeps a big secret: Mariana is not his biological daughter, Atílio has two sisters: Isabel, the oldest, a good and caring woman, who raised Mariana and loves her as if she were her own daughter; Márcia, the youngest, arrogant and very vain, has a cold heart, has never fallen in love with anyone and always mistreated Mariana, until a boy called Inácio Lugo Navarro arrives in the city, very attractive, who uses a false name and is looking for his roots and revenge.

Pasión is the telenovela that began transmissions on September 17, 2007, in Mexico; Canal de las Estrellas. The novela is a production of Carla Estrada and the stars are Susana González, Fernando Colunga, Sebastián Rulli, and Daniela Castro.

María José is a Mexican telenovela produced by Juan Osorio for Televisa and originally broadcast on Canal de las Estrellas from February 13 to May 18, 1995. It is a remake of the 1982 telenovela Bianca Vidal, based on the original story by Inés Rodena and freely adapted by Gabriela Ortigoza. The story follows María José, a beautiful and humble young woman who works as a domestic servant while caring for her ailing foster father. She falls in love with Carlos Alberto Almazán, but their relationship is threatened by family secrets, social differences, and the schemes of Imperia, a woman determined to keep them apart. As hidden truths about María José's past come to light, she must fight for love, justice, and her rightful place in the Almazán family.

After the murder of her father and brother, Irene Saldivar travels to Greece. There she meets and falls in love with entrepreneur Alexis Theodorakis. Carlos is the administrator of Irene's fortune and cooperates with Alejandro in a rotten and corrupt business where he marries rich women, kills them, and obtains their fortune. When Carlos finds out about Irene's marriage to Alexis, he formulates a plan to kill Alexis and obtain his fortune. During Irene and Alexis' honeymoon, Carlos' plan succeeds when the boat Alexis travels in explodes. A desperate and pregnant Irene returns to Mexico, where she falls in love with Dr. Diego Covarrubias. However, Irene is forced to leave him for the sake of her friend Carolina, since Carolina loves him and has cancer. Since Alejandro isn't able to win Irene's love, Alejandro gets in her life and forces her to marry him or risk losing her son - all of this as part of another plan Carlos formulated so he and Alejandro plot Irene's death in another fatal catastrophe.

Atrévete a Olvidarme is a Mexican telenovela produced by Roberto Hernández Vázquez for Televisa and originally broadcast on Canal de las Estrellas from August 6 to September 7, 2001. Created by Martha Carrillo, Roberto Hernández Vázquez, and Martha Oláiz, the telenovela stars Jorge Salinas and Adriana Fonseca. Due to low ratings, it was shortened to 25 episodes. The story follows Andrea Rosales, a kind-hearted young woman living in the mining town of Real del Monte. Her life changes when she falls in love with Daniel González, a young journalist searching for his grandfather and the truth about his family's past. Their romance revives a tragic love story from the previous generation, forcing them to confront jealousy, family secrets, revenge, and the belief that history is destined to repeat itself.