Fernando Ciangherotti

Refusing to marry a drug lord, Grecia is determined to pay her father's debt herself. To earn the money, she decides to bet in the Sinaloa palenques, where she meets Armando. He is immediately captivated by her beauty and fearless attitude. But, little does he know that falling for her will be his most dangerous endeavor. Based on the famous corrido hit "La Princesa", by Alfredo Ríos "El Komander".

After winning a bet, Lalo goes on vacation with his two daughters and his best friend, they will try to keep Lalo's daughters away from perverted boys.

A gripping and tumultuous tale of obsession, secrets, and betrayal. The plot follows the destructive love triangle that unfolds when forbidden desire challenges the bonds of marriage and family loyalty. As passions run high, the protagonists become entangled in a web of lies and dark ambitions from which escape will come at a terrible price. A passionate Mexican thriller that explores the limits of fidelity and the consequences of succumbing to temptation.

Mexican drug kingpin Papi enters a turf war against a team of American mafia intruders led by Mesías. But while the battle rages, the Korean mob sees an opportunity to seize power while its enemies fight each other.

Christian movie based on real events. Based on the real story of a drug trafficker, who paradoxically found his freedom inside the jail.

A woman and a man who met at a soccer game. Years later, they decide to see each other again at the same place they found their passion, a soccer match with the same teams playing against each other.

Tales about the consequences of pornography and the damage it does to society

Sael Farás takes advantage of his position as Mexican Ambassador in South Africa to smuggle diamonds. He also has a secret affaire with a dominatrix. When Sael suddenly dies, a detective is assigned to the case.

Mexican feature film

Nora is about to turn 40 and can't stop wondering: what's the point of all this? What was meant to be a celebration turns into a series of unfortunate missteps that push her toward self-discovery. With open wounds, unspoken desires, and a burning past, Nora confronts her family history, death, unemployment, the collapse of her polyamorous relationship, and the urgent need to redefine love, her sexuality, and what she truly wants from life.

Everyone living around a truck terminal has their destinies intertwined.

Miguel wants the love of Helena but he dies. In order to reach heaven and avoid limbo, there is one condition, he must forget Helena, but he will try to avoid this, since he doesn't want to reach heaven if he won't be able to remember her.

Jorge Colon's SIN ELLA shows us how much a family member can guide the values and lives of the others, even when absent. Set in present-day Mexico City, the story follows Gastón (Luis Roberto Guzmán, in a striking performance different from his action-man TV roles), a successful TV producer who has to learn how to be a good dad for his teenage daughter and younger son after an accident, which challenges the family not only to cope with the pain of the tragedy but also to improve their lives. With outstanding performances by all cast members and an attractive soundtrack, this drama and its dose of magical realism are bound to make its audience reconsider what family truly means.

Mexican feature film

A couple arrives to an apartment complex where santeria and witchcraft are common practice.

Woman with terminal illness is converted by evangelicals.

After his son is murdered by drug dealers, a man decides to take revenge.

A group of young drug dealers commit crimes in a sleazy strip club.

María Mercedes, a poor girl who sells lottery tickets, meets a rich man who hates his own family and sees in María Mercedes an opportunity to make their lives miserable.

The story tells the story of Diana (Maria Sortè), a highly successful fashion designer married to an unreliable and lying man, Giacomo, and of Gianluca (Enrique Novi), a widower with a 10-year-old girl, Arianna. Diana, after discovering that Giacomo has another wife and two children, Davide and Chicco, abandons him, and leaves for a cruise with her friend Gloria. On the ship he meets Gianluca in the company of Viviana, who is actually staying with him for money. The meeting between Gianluca and Diana is one of those that are not forgotten and, what seemed only physical attraction, turns into true love. Diana is introduced by Gianluca to her daughter and immediately wins her sympathy.

Javier takes Delia, his pregnant wife, to his ranch in a remote village. Although she's surrounded with love and comfort, Delia has an uneasy feeling. One day, Javier goes out hunting and kills a deer, which to his horror turns out to be a man. Javier's servants toss the corpse over a canyon and tell him to forget the incident, but the dead man's ghost seeks out his mother, the local witch, and begs her to avenge his murder. The witch turns up at Javier´s ranch, and under a mysterious and unexpected shower of thunder and lightning, curses the family. Javier's wife shall bear twin daughters, one of which shall be a fearsome demoness. A day later, Delia goes into labor and gives birth to a healthy baby girl. Everybody feels calmer after the birth, yet a couple of hours later, Delia gets labor pains again. This time she's ripped apart by another baby girl. Delia bleeds to death, yet because the two girls look identical, both healthy and beautiful, it´s hard to know which one killed her mother. Several years later, the identical twins have very different personalities. Gilda is an independent doctor and a city dweller. Her twin Liliana is a frail invalid who resides in the ranch. However, one of them harbors inside the dreadful Chacala, which will soon materialize to wreak havoc among those around her.

La Hora Marcada was a 1986 Mexican television anthology series famous for its horror and science fiction themes in the vein of the Twilight Zone. Although virtually unknown outside the country, it achieved a popular and critical success in Mexico. It had a series of rotating writers and directors, among them Emmanuel Lubezki, Guillermo del Toro and Alfonso Cuarón.

Maricruz and Beatriz are school friends; Beatriz comes from a well-to-do family, whereas Maricruz belongs to a lower socioeconomic stratum. Both are on the verge of turning fifteen and are preparing to leave childhood behind. Issues within their family and social environments affect them directly; for Beatriz, her parents' marital breakdown becomes the primary obstacle to overcome, compounded by a sexual awakening fraught with taboos and misinformation. Meanwhile, Maricruz must contend with her mother's overprotectiveness and prejudices, as well as the tension caused by a neighbor who is obsessed with her.

La Pícara Soñadora is a Mexican telenovela shown in 1991, based on a 1956 Argentine film of the same name directed by Ernesto Arancibia. This telenovela contains 80 episodes and stars Dina de Marco, Irán Eory, Eduardo Palomo, and Mariana Levy.

La Hija Del Jardinero is a Mexican telenovela directed by Luis Alberto Lamata. It aired from August 18, 2003 until April 23, 2004 on TV Azteca in Mexico.

The kidnapping of her son unleashes a storm in Nuria García's life who, in the most difficult moment, meets Santiago Zepeda; together, they find redemption in the face of adversity.

Fuego Ardiente is a Mexican telenovela produced by Carlos Moreno Laguillo for Televisa and originally broadcast on Las Estrellas from February 8 to June 4, 2021. Created by Martha Carrillo and Cristina García, with adaptation by Marissa Garrido, the telenovela was directed by Luis Eduardo Reyes and Carlos Cock Marín. It stars Mariana Torres, Carlos Ferro, Claudia Ramírez, José María de Tavira, Arturo Peniche, Kuno Becker, Lorena Meritano, and Claudia Martín. The story follows Alexa Gamba, who infiltrates the powerful Ferrer family after her brother dies under suspicious circumstances while working at their olive oil company. Determined to uncover the truth, Alexa falls in love with Gabriel Ferrer, the heir to the family business. As their relationship deepens, they become entangled in a web of revenge, betrayal, forbidden love, and long-hidden secrets that threaten to destroy both families.

Entre la vida y la muerte is a Mexican telenovela produced by Angelli Nesma Medina for Televisa and originally broadcast on Canal de las Estrellas from January 11 to July 2, 1993. It was the first telenovela produced by Angelli Nesma Medina for Televisa. The story follows Dr. Susana Trejos, who is about to marry the ambitious lawyer Andrés del Valle, unaware that he plans to kill her to inherit her fortune. After a series of unexpected events leads everyone to believe she has died, Susana finds herself stranded in the Lacandon Jungle, where she meets an archaeologist who shares the same name as her fiancé. As she uncovers the truth behind the conspiracy against her, Susana must fight for justice, love, and a new beginning.

Amor Cautivo, is a Mexican telenovela produced by Azteca in association with Corazón TV. It stars Marimar Vega and Arap Bethke as the main protagonists. Filming starts on May 6, 2012. It is set to debut on Azteca Trece starting May 28, at 8:30pm, replacing A Corazón Abierto. It is based on "Lejana como el viento" by Laura Visconti. The telenovela concluded with 120 episodes, where the final episode was aired on November 9, 2012. The following week, on November 12, Hispanic television channel Telemundo is airing the telenovela at 11:00am/10:00 central. Meanwhile in Mexico, it was replaced by La Otra Cara del Alma.

The story of a humble farmer who becomes President of Mexico. When he is falsely accused of fraud and incarcerated, he must fight back against the corrupt system behind the scheme and clear his name for the sake of his country and family.

Prófugas del Destino is a Spanish-language telenovela produced by the Mexican television network TV Azteca. The stars and crews are mainly from Mujer Comprada.

A group of friends set out on a road trip when an unexpected fourth passenger forces an abrupt change of plans.

Prohibido Amar is a Mexican telenovela produced by Azteca in 2013. It is a remake of Colombian telenovela, La Sombra del Deseo.

The night before her wedding, Julia, a young pediatrician with a promising future, vanishes without leaving a trace behind. Five years later, in the middle of the road, a college student discovers a woman in a wedding gown, alone and confused. The boy takes her to the nearest hospital. On the way, the woman gets to reveal her name: Julia Borges. Julia has no memory on what happened to her in those five years. All she has is an image she just can’t get out of her mind: A man she doesn’t recognize who promises to always look after her. Mauricio, Julia’s fiancée, has moved on believing she is death. He is married and has a one year old kid. His new wife: Camila, Julia’s conflictive little sister. The only person who got his hopes up about finding Julia was Tomás, her best friend and workmate. Tomás has invested all his money, ruined his marriage, and almost went bankrupt trying to discover her whereabouts. The reason? He has always been in love with her. Julia tries to face this new reality in which the man she loves is married to someone else and all her life projects came to nothing. Meanwhile, she is trying to find clues that can reveal what happened to her in those lost years and who is responsible for her disappearing.