Kim Soo-jin

A Korean taxi-driver interacts both humorously and tragically with his customers and employers in '90s Tokyo.

A Japanese salaryman finds his body transforming into a weapon through sheer rage after his son is kidnapped by a gang of violent thugs.

When his mother's untimely death quickly follows his father's, a doctor begins to believe a killer may be targeting him and his amnesiac wife.

Incredibly indolent cop Tomokawa spends his time making fun of his mentally challenged friend Sukemasa, riding his bike all over the city and sleeping with married women. But his whole world changes when he meets Yoko.

After his girlfriend commits suicide, a man becomes embroiled in gang warfare attempting to obtain a gun in hopes to kill himself.

When poverty-stricken Korean-Japanese (Zainichi) discover there is valuable iron ore in the rubble of a destroyed shantytown they plan to haul it out for profit. Amidst this plan there is discrimination, war and an infatuation between a man and a woman, but like everything around them there and owing to the forces around them, there is as much chance that these may burn to ashes and be destroyed or be the beginning of something new.

Assistant police inspector Aida is assigned to investigate the murder of a former gang member. When a justice ministry official is killed days later in a similar manner, he begins to suspect that something bigger is going on...

Based on the life of the Korean anarchist Park Yeol, the film shows his struggle to counter the massacre of Koreans by the government during the 1923 great Kanto earthquake, focusing on his activities as the leader of the anti-Japanese organization Bulryeongsa and his relationship with Japanese comrade Fumiko Kaneko.

A couple years have passed, Matsuzaki is divorced and has a daughter and is still up to his old compulsive gambling, boozing and womanizing even as he stares middle age in the face. At his daughter's school he meets a teacher who's similarily obsessed with horserace betting and who's also frigid - something he does his best to therapize. He also reconnects with his ex-wife, who just so happens to be the literary agent and love interest of another writer of the gambling genre. An epic gambling battle between the two ensues.

A savage look at food and sex, helms this black comedy about Japan's sizable and often beleaguered Korean-Japanese community. Motomi Hayashi (Eri Yu), a producer who is thoroughly dedicated to her career, returns to her abode to discover that her porn star sister (Ichio Matsuda) is going to make a film about her family's first reunion in 20 years. Motomi is less than thrilled with the prospect, seeing as all is not well at the Hayashi household. Motomi's father recently got canned from his longtime job at a Pachinko parlor, while her mother secretly plans to mortgage the house to finance her affair with a younger lover. Motomi grows more uneasy when she learns that the porn director in charge of the undertaking is known for mixing fact with fantasy.