Sergei Loznitsa

In 1937, amidst Stalin's Great Terror, a newly appointed prosecutor for the USSR is made aware of alleged corruption in the Secret Police, and takes it upon himself to investigate.

A woman lives in a small village in Russia. One day she receives the parcel she sent to her husband, serving a sentence in prison. Confused and angered, she sets out to find why her package was returned to sender.

In the historic Donbass region of eastern Ukraine, despite the cruel war that has been raging since 2014 between the self-proclaimed People's Republics of Donetsk and Luhansk and the Ukrainian government, people try to survive in the rotten heart of chaos, where violence disguises itself as peace, propaganda becomes univocal truth and hatred reigns in the name of love.

A comprehensive chronicle of the consequences of Russia's invasion of Ukraine in 2022. How citizens live in wartime, how violence and death condition daily life: from schools in bomb shelters to rehabilitation centers for the maimed; wounds and silences, gestures and words.

The enigma of the personality cult is revealed in the grand spectacle of Stalin’s funeral. The film is based on unique archive footage, shot in the USSR on March 5 - 9, 1953, when the country mourned and buried Joseph Stalin.

Georgy is driving a load of freight into Russia when, after an unpleasant encounter with the police at a border crossing, he finds himself giving a lift to a strange old man with disturbing stories about his younger days in the Army. After next picking up a young woman who works as a prostitute and is wary of the territory, Georgy finds himself lost, and despite asking some homeless men for help, he’s less sure than he was before of how to make his way back where he belongs. As brutal images of violence and alienation cross the screen, Georgy’s odyssey becomes darker and more desperate until it reaches an unexpected conclusion.

A documentary view of the galas of Paris’s Palais Garnier in the 1950s and ’60s.

Nazi troops massacre 30,000 Jews over a three-day period in September 1941. Babyn Yar ravine in Kyiv, Ukraine.

The film observes visitors to a Holocaust memorial site on a former concentration camp, exploring their reasons for visiting and what they seek, and serves as a sometimes sardonic study of the relationship (or the clash) between contemporary culture and the sanctity of the site.

Western frontiers of the USSR, 1942. The region is under German occupation. A man is wrongly accused of collaboration. Desperate to save his dignity, he faces an impossible moral choice.

Is it morally acceptable to use the civilian population as yet another tool for waging war? Is it possible to justify death and destruction for the sake of supposedly lofty ideals? The question remains as pertinent today as it was at the beginning of World War II, and it is becoming increasingly urgent to answer, as countless tragedies have been caused by unethical political decisions.

June 2023, one year since Russia invaded Ukraine. In Kyiv, a class is visiting the Natural History Museum, guided by a paleontology teacher who transports the schoolchildren into a faraway and peaceful world.

In August 1991 a failed coup d'état attempt (known as Putsch) led by a group of hard-core communists in Moscow, ended the 70-year-long rule of the Soviets. The USSR collapsed soon after, and the tricolour of the sovereign Russian Federation flew over Kremlin. As president Gorbachev was detained by the coup leaders, state-run TV and radio channels, usurped by the putschists, broadcast Tchaikovsky's "Swan Lake" instead of news bulletins, and crowds of protestors gathered around Moscow's White House, preparing to defend the stronghold of democratic opposition led by Boris Yeltsin, in the city of Leningrad thousands of confused, scared, excited and desperate people poured into the streets to become a part of the event, which was supposed to change their destiny. A quarter of a century later, Sergei Loznitsa revisits the dramatic moments of August 1991 and casts an eye on the event which was hailed worldwide as the birth of "Russian democracy".

The Kyiv Trial, also known as the ‘Kiev Nuremberg’, took place in January of 1946 in the Soviet Union, and was one of the first post-war trials convicting German Nazis and their collaborators. 15 criminals, guilty of atrocities, which were later identified by the Nuremberg trials as “crimes against humanity”, faced justice in case No.1679 “On the atrocities committed by fascist invaders on the territory of the Ukrainian SSR.” Using unique, previously unseen, archive footage, Sergei Loznitsa reconstructs key moments of the proceedings, including statements of the defendants and testimonies of the witnesses, survivors of Auschwitz and Babi Yar among them. The film lays bare the ‘banality of evil’ and is devastatingly relevant today, as Ukrainian people are once again being subjected to the violence of barbarian invaders.

This film about the Baltic nation of Lithuania from 1989 to 1991, when it broke away from the Soviet Union. This period of peaceful protests involving lots of singing came to be known as the "singing revolution."

Winter. A bus stop in a small village. People are waiting for a bus. They talk. Listening to their conversations, the viewer can imagine the world they live in. United by the movement of the camera, the place and the people blend together.

Thirteen European directors explore the theme of Sarajevo; what this city has represented in European history over the past hundred years, and what Sarajevo stands for today in Europe. These eminent filmmakers of different generations and origins offer exceptional singular styles and visions.

This movie is about a day in life of the settlement for people with mental problems. Located in a peaceful countryside, it conveys an image of a pure, happy place, where people live and work together, in complete harmony. But there is a growing unexplainable feeling of anxiety and hopelessness.

A chronicle of the civil uprising against the regime of Ukrainian president Viktor Yanukovych that took place in Kyiv in the winter of 2013/14. The film follows the progress of the revolution: from peaceful rallies, half a million strong in the Maidan square, to the bloody street battles between protesters and riot police.

A visual journey through the vastness of the Soviet Union, composed exclusively of archival footage shot between 1970 and 1973 by a group of Italian filmmakers. From the nomadic encampments of Central Asia to Red Square, from remote villages in the Caucasus to the far reaches of the Far East, the film reveals a mosaic of cultures that the regime sought to homogenize.

In the middle of June the village of Santo Antonio de Mixoes da Serra in the Valdreu region of Northern Portugal honours its Patron Saint with a very special festival. On this day the local farmers bring their animals to the church – cows, horses, dogs, cats, chickens, rabbits – to be blessed. This ancient tradition is passed from generation to generation, and today, just as hundreds of years ago, animals and people flock up the mountain roads to the church square to become a part of the religious festival. The film is about this miracle.

The images comprise only of material Sergei Loznitsa found in the Moscow film archives about the siege of Leningrad during World War II. By providing the originally silent images with a meticulously reconstructed soundtrack, the scenes from everyday life under siege seem to be set in the present. By not intervening in the montage but giving the scenes room to tell a story, the scenes transcend the specific historic events and lead a new life. They do not evoke memories of the past, but become a breathtaking reanimation of reality.

Seven versions of Riga, the city on the Baltic Sea, and its features as seen by outstanding European film directors: Sergei Loznitsa (The Old Jewish Cemetery), Ivars Seleckis (On Ķīpsala), Audrius Stonys (Riga Boats), Jaak Kilmi (Littering Prohibited!), Jon Bang Karlsen (Cats in Riga), Rainer Komers (Daugava Delta), and Bettina Henkel (Theatre Street 6).

In 1930 in Moscow, USSR. the Soviet government puts a group of top rank economists and engineers on trial, accusing them of plotting a coup d'état. The charges are fabricated and the punishment, if convicted, is death.