Robert Hichens

That old theatrical war-horse Bella Donna (previously filmed in America by Alla Nazimova) was resurrected by Britain's Twickenham Studios in 1934. Conrad Veidt stars as sinister Egyptian Mahmoud Baroundi, who even before the film gets under way has left a long trail of ruined women behind him. His latest victim is American girl Mona Chepstow (Mary Ellis), whom Baroundi treats like dirt and makes her like it. The plot centers around a murder by poison, as evidenced by the film's deliberately exotic title. Critics in 1934 praised newcomer Mary Ellis for underplaying her role, but many film fans preferred Nazimova's arm-waving histrionics in the earlier version.

In London, barrister Anthony Keane takes the case of Maddalena Paradine, a beautiful woman accused of poisoning her blind husband. Though happily married, Keane becomes infatuated with his enigmatic client and convinced of her innocence. His obsession clouds his judgment as he builds a defense implicating her servant, André Latour—an act that leads to devastating consequences both in court and at home.

Arriving with her husband in Arabia, Katherine Wyvrne is ready for romantic times in the exotic Middle East, but her aristocratic husband prefers to be out hunting "Barbara sheep" than fulfilling his wife's desires. She soon meets up with the dashing Arab chief Benchaalai and falls for his charms, but he has a much more sinister goal in mind for her than romance.

Bella Donna, a seductive woman snares Nigel Armine into marriage and he takes her to Egypt to live. Tired of her simple husband, Bella becomes involved with brutish Baroudi.

The star-crossed desert romance of a cloistered woman and a renegade monk.

Father Adrien had taken the vows of eternal silence, prayer and, of course, celibacy, when he entered the Trappist Monastry of Notre Dame d'Afrique in Algeria. One day, he chopped down a tree that blocked a part of the Monastery wall, but as it fell it knocked a young girl senseless. As Father Adrien bathes her face she regains consciousness and in a mischievous mood embraces him. The embrace was seen by another monk but the Monastic discipline imposed is as nothing compared to the torturing penances of mind and body which the contrite Father Adrien has imposed upon himself. In the end it is all too much for poor Father Adrien and he abandons his vows and escapes into the desert, resuming his secular name Androvsky. On the way to the oasis of Beni-Mora he encounters Domini Enfilden who has been brought up as a Catholic. Androvsky rescues Domini from a rioting crowd and she finds herself deeply attracted to him.

Bella Donna ( Pauline Frederick ) a seductive woman snares Nigel Armine ( Thomas Holding ) into marriage and he takes her to Egypt to live. Tired of her simple husband, Bella becomes involved with brutish Baroudi. To get rid of Nigel, she begins slowly poisoning him. However, Nigel's friend Dr. Isaacson arrives in time to save him. Now Baroudi wants nothing to do with Bella, and neither does her husband. Totally alone now, the distraught Bella wanders off into the desert.

After marrying an archaeologist, a Victorian-era woman with a sordid past realizes that she is not ready to settle down with one man.