Margaret Bannerman

A man becomes part of a secret society of people who live in a department store and quickly falls in love with their leader’s young maid.

Amateur plumber Cluny Brown gets sent off by her uncle to work as a servant at an English country estate.

Lily is threatened with divorce by her husband after spending an innocent night with friend Rupert Harvey.

An aunt objects to the romance between her niece and a neighbour's nephew, and steps in to put an end to the love affair.

A young couple's marriage is threatened by the husband's love of horses and the racetrack circuit.

Sir Douglas Rolls is a highly respected defence lawyer of many years experience. Now in rapidly failing health, he is advised to retreat from the courtroom and pursue more pleasurable activities. But it is just at this point in his life that his great lost love a woman his own strong sense of duty led him to give up twenty years ago, and whom he still loves deeply walks into his chambers to ask that he defend her adulterous husband, now to stand trial for murder. Reluctantly agreeing to take on the case, Sir Douglas soon finds there is more to the story than meets the eye.

A man becomes bored with married life and pretends to have lost his memory so he can pursue other women.

The Loves of Madame du Barry was the American title of the 1935 British operetta I Give My Heart, based on the stage musical The Du Barry. German actress Gitta Alpar stars as Jeanne, the young 18th century Parisian milliner who sleeps her way to the uppermost rungs of French aristocracy, emerging at last as the glamorous Madame du Barry, mistress of Louis XV (Owen Nares). Refusing to gloss over du Barry's sexual peccadilloes (as previous films with Norma Talmadge and Dolores del Rio had done), the film presents the "heroine" as a whore, pure and simple-or, on second thought, not so pure and simple! Particularly troublesome for American censors was a scene in which du Barry is depicted as a resident of a bawdy house. Otherwise, The Loves of Madame du Barry is standard historical-drama fare, allowing dozens of top European actors to play "dress-up" for 90 minutes.