Maria Maslova

The film tells the story of the final years of the life of Nicholas II, the last emperor of Russia. It follows his devoted wife, Empress Alexandra; his son, Tsarevich Alexei; his daughters, Grand Duchesses Olga, Tatiana, Maria, and Anastasia; and his brother, Grand Duke Michael Alexandrovich. The love and loyalty of those closest to Nicholas accompanied him through the most difficult years of his life. But they could not protect him from betrayal. The treachery and cowardice of members of the Romanov dynasty, politicians of every kind, and generals who had sworn allegiance to the throne ultimately led to the collapse of the empire. The story of the imperial family unfolds against the backdrop of a tragic turning point in history.

Three guys from a small town, looking for easy money, decide to rob a local bank. Armed with an excavator, they break into the vault and take everything from there. The morning after the raid, the robbers find out that 25 million rubles have been stolen from the bank. This is where the question "Where is our money?" hangs in the air, because in fact the trio took only a million from the bank, which means that either there is a "rat" among their friends, or there are another 24 million in circulation somewhere in the town.

A group of friends decide to spend a weekend together at a country house, but an unexpected accident forces them to stop at a strange and remote estate. In this abandoned and eerie place, a rare antique camera is discovered. Slowly the camera draws them into a mystical and tragic chain of events that none of them could have seen coming. Anyone who has their picture taken by the camera sees a photo revealing their death. Many of them lose their lives in excruciating ways, as they race to solve the mystery of the camera.

Profiler Zoya Volgina is the best in the business: crime scenes literally come to life before her eyes. It is Zoya and a special employee of the Investigative Committee, Timofey Volokh, who are involved in a new investigation: in St. Petersburg, an unknown strangler embalms the bodies of his victims, turning them into statues. Zoya is familiar with his “handwriting” - many years ago she already encountered a very similar person.

Faced with insurmountable problems, five young Muscovites flee to a monastery near the half-abandoned village of Topi. They view the trip as an adventure, a long-awaited freedom from worries, and an opportunity to forget. However, the journey turns into a series of mysterious events that only brings closer what they fled from and make them doubt the reality of what's happening.