Ernst Pittschau

In the ruins of post-WWII Berlin, a twelve-year-old boy is left to his own devices in order to help provide for his family.

Russia in the 19th century. The young Lieutenant Stanislaus Kovolski is in constant financial difficulties. One day he meets a fortune-teller, who prophesies that the great blessing is to expect.

A stuffy old civil servant is forced to retire during World War II, but when his son, a Navy submariner, is lost at sea and his city is heavily bombed by English bombers, his old patriotism is re-awakened and he determines to be of use to his country once again

Deviating from the historical facts, Lola is introduced as a young Spanish “Gypsy” who becomes involuntarily embroiled in an attempt to poison the Infante of Spain (a short but splendid cameo by Heinrich George). As a result, she has to flee the country, arriving first in Italy, where she is taught how to act like a lady. Later, in Paris, she is invited to dance at the city’s prestigious opera house, becoming a worldwide sensation. She then becomes secretly involved in a revolutionary plot by Louis Napoléon, the future emperor of France. When the plot fails, Lola is once again forced to flee, this time to Munich, where she captures the attention of Ludwig I. Their ensuing affair arouses a great deal of hatred among the people and the establishment, however. In the end, Lola has no choice but to leave again, and vanishes into the night mist.

Around 1850, a young violin virtuoso steals a Stradivarius from the museum of a southern German royal residence in order to play for a famous master. By chance, he is able to demonstrate his skills to the sovereign at a court concert.

Conrad Veidt plays a famous musician who is blackmailed for being gay. Eventually he stands trial and is convicted. At the end the film pleads for the abolition of §175 (the law that punishes homosexuality).