Renee Props

Two unpopular teenagers, Gary and Wyatt, fail at all attempts to be accepted by their peers. Their desperation to be liked leads them to "create" a woman via their computer. Their living and breathing creation is a gorgeous woman, Lisa, whose purpose is to boost their confidence level by putting them into situations which require Gary and Wyatt to act like men.

Chili Palmer is a Miami mobster who gets sent to L.A. to collect a bad debt from Harry Zimm, a Hollywood producer who specializes in cheesy horror films. When Chili meets Harry's leading lady, the romantic sparks fly. After pitching his own life story as a movie idea, Chili learns that being a mobster and being a Hollywood producer really aren't all that different.

Olympic gymnastics coach Francine Lake and her twelve gorgeous students train on the Island of Crete. The rigors of training preclude most sexual activity with the locals, thus the girls spend their evenings in quiet frustration.

A group of teenagers borrow a car, unaware that gangsters have stashed mob money in it. The gangsters are determined to get the money back.

Released from federal prison after 20 years due to his ailing health, a formerly powerful New York mobster moves back home and attempts to reconnect with former life in this poignant Sopranos-esque character study.

On a hot sunny day in Kansas, 1973, Mike Kinross's parents tell him he's going on holiday to his Uncle Dan's house. But instead they drop him off at the juvenile unit of the local mental institution.

In cases ripped from the headlines, police investigate serious and often deadly crimes, weighing the evidence and questioning the suspects until someone is taken into custody. The district attorney's office then builds a case to convict the perpetrator by proving the person guilty beyond a reasonable doubt. Working together, these expert teams navigate all sides of the complex criminal justice system to make New York a safer place.

A stand-up comedian and his three offbeat friends weather the pitfalls and payoffs of life in New York City in the '90s. It's a show about nothing.

Michael Long, an undercover police officer, is shot while investigating a case and left for dead by his assailants. He is rescued by Wilton Knight, a wealthy, dying millionaire and inventor who arranges life-saving surgery, including a new face and a new identity--that of Michael Knight. Michael is then given a special computerized and indestructible car called the Knight Industries Two Thousand (nicknamed KITT), and a mission: apprehend criminals who are beyond the reach of the law. The series depicts Michael's exploits as he and KITT battle the forces of evil on behalf of the Foundation for Law and Government.

A realistic glimpse into the daily lives of the officers and detectives at an urban police station.

Mrs. Edna Garrett, housemother and dietitian at the Eastland School, teaches a group of girls in her charge how to solve those problems that every teenager has to face.

A relevant, timely and distinctive coming-of-age story following a half dozen interrelated characters in the South Side of Chicago. The story centers on Brandon, an ambitious and confident young man who dreams about opening a restaurant of his own someday, but is conflicted between the promise of a new life and his responsibility to his mother and teenage brother back in the South Side.

Swift Justice is an American detective drama television series created by Dick Wolf and Richard Albarino, broadcast for one season (13 episodes) on UPN from March 13 to July 17, 1996. James McCaffrey stars as former Navy SEAL Mac Swift, a private investigator fired from the NYPD. He receives support from his former partner Detective Randall Patterson (Gary Dourdan) and his father Al Swift (Len Cariou). Critics noted the series' emphasis on violence, specifically in the pilot's opening sequence, drawing comparisons to The Equalizer (1985–1989) and Die Hard (1988). UPN canceled the program after receiving complaints from viewers, advertisers, and critics for its stark depiction of violence. Wolf considered the cancelation a mistake due to good ratings. Further, it was praised for its visuals and McCaffrey's performance, but often criticized as being either too violent or formulaic.