Demián Rugna

When brothers Pedro and Jimi discover that a demonic infection has been festering in a nearby farmhouse, they attempt to evict the victim from their land. Failing to adhere to the proper rites of exorcism, their reckless actions inadvertently trigger an epidemic of possessions across their rural community.

Police commissioner Funes and three researchers of supernatural phenomena investigate inexplicable events that are occurring in the suburbs of Buenos Aires.

When police raid a house in El Paso, they find it full of dead Latinos, and only one survivor. He’s known as The Traveler, and when they take him to the station for questioning, he tells them those lands are full of magic and talks about the horrors he’s encountered in his long time on this earth, about portals to other worlds, mythical creatures, demons and the undead. Stories about Latin American legends.

A man notices something strange at night.

A task force kidnaps the wrong man: a medicine man. He will use his black magic to escape from prison, regardless of the consequences that will last for decades on those who crossed his path.

Urban comedy that tells the story of Federico and Lucía, two young people who cross paths in a city marked by obsessions and persecutions, and where chance is present to guide them towards a change in their lives.

The misuse of an innocent toy will trigger a family tragedy surrounded by death and despair. Carlos will try to save his girlfriend's family from a spiral of tragedy and death before it is too late.

In 1997, 17-year-old suburban Buenos Aires filmmakers Pablo Parés and Hernan Sáez pooled $450 to co-write/produce/direct and star in a shot-on-VHS zombie epic of such flesh-ripping, gore-spewing greatness that it instantly drew global cult acclaim and redefined the possibilities of extreme DIY horror. Over the next 20 years, Parés, Sáez and their friends would create two increasingly ambitious – and equally brilliant – viscera-soaked sequels (and several short films) that made them “Argentinian George Romeros who’ve built a small empire of gore flicks”