Felipe Pinheiro

The story of Brazilian Antônio José da Silva, a jewish poet, playwright and lawyer living in the 18th Century Lisbon, who managed to avoid Inquisition by converting himself to Catholicism, after being tortured. But his fierce criticism of Portugal's élite led him to persecution and torture, becoming kind of a scapegoat.

After making a Faustian bargain with a vampire for fame, a regretful young singer must find a sacred, lost artifact that might revert the curse.

In Rome, Armando confesses to Father Guido Bellini that he is being hunted by a criminal organization led by a young man with paranormal powers. Some time later, Guido discovers that Armando has died and, feeling guilty for not having tried to prevent the man's murder, decides to leave the priesthood and return to Brazil. In the city of São Paulo, Guido dedicates himself to the study of paranormal phenomena in order to combat the organization led by César Zapata and his son Fred, the powerful young man to whom Armando referred. To confront the Zapatas, Guido relies on the help of Alef, also a paranormal young man who does not yet have full control of his powers. Alongside his fight against the criminal organization, Guido has a romance with Débora, Alef's mother. His main opponent, César, also likes Débora and does everything to separate her from Guido. He wages a veritable war against the former priest, using Fred's evil powers.

In an action-packed plot set in São Paulo, Ana gives birth to a child in Tonico's car, but abandons the baby to escape the police after becoming involved in a robbery.

TV Pirata was a weekly Brazilian comedy show aired on Rede Globo between 1988 and 1990, being re-aired monthly in 1992. Some of the writers later went on to form the comedy troupe Casseta & Planeta. The show was first aired in April 1988 to fill a gap on Rede Globo's Tuesday night prime time line-up and its comedy was inspired by sketch comedy shows such as Saturday Night Live and Monty Python's Flying Circus with a no-nonsense approach to Brazilian comedy; however, it mixed a new style of comedy with elements of Brazilian culture such as football, politics, pop culture, telenovelas, economics and celebrities. No well-known figure or member of any economical or social class was spared from the show's cutting edge humor. The premise of the show was a TV studio being invaded by pirates who took over the programming department and put a tape on the air with some "unusual" programming. Another new element to Brazilian audiences was the performers, who weren't the usual comedic actors, but dramatic actors doing more comedic roles.

Cabral is a writer who decides to spend his summer writing a series about love stories. It is then that he begins to look back over his life and his works. He is married to Glorinha, a woman twenty years younger than him, with whom he has a daughter, the young Samanta. Glorinha dreams of having a second child, but Cabral rejects the woman's desire, creating a stalemate between the two.

The central theme of the miniseries – an adaptation of the play of the same name by Dias Gomes – is the survival of man and his fight for what he believes in. The driving character of the narrative is the humble Zé do Burro, who, inconsolable, watches the suffering of Nicolau, his donkey, victim of an accident and decides to make a promise.