Walter Kiaulehn

Lola Montes, previously a great adventuress, is reduced to being the attraction of a circus after having been the lover of various important men.

An early ethnographic film. Made three years after Plessen's "Insel der Dämonen", "Kopfjäger von Borneo" is a half-fictional documentary. The plot involves a love story between a girl and a boy of incompatible social classes.

A clearly confused girl is found wandering around Stuttgart and can't be understood, because she's speaking in a foreign language. The police take her to some doctors, who eventually believe they're dealing with a Tibetan. Doctor von Aldenhoff takes the stranger in and begins to educate her according to western European standards. In her new home, the girl, Luscha, gets to know Robert Lorm, a rather well-travelled man, and falls in love with him. Eventually, she decides quite unilaterally that they're going to build a new home and life together. A plaster of paris mask of the girl's face is made for the doctors to keep as a remembrance of Luscha. But as soon as the mold is removed from her face, she suddenly seems to become an entirely different woman.

Two out of work musicians put on drag to get work in an all girl band. Inevitable comical romantic complications ensue.

A group of people gathers back in the post-war ruins of a luxurious Munich hotel they inhabited at one point or another years before; each trying to cope with the tragic consequences of the war and their own actions.