Anurak Neamrung

On a quiet night in the library, a young librarian prepares to head home alone, until something lurking in the shadows begins to creep closer.

Fragments of a contemplative essay film drifting between memory and dream. I see an old man haunted by an elusive voice, and a fading childhood quietly watching over him, in a space where prolonged sleep blurs the boundary of what is real. This is a story written from elsewhere a place where I listen, observe, and record his story, in an attempt to weave together images of family, and the quiet violence of growing up.

Thailand, 2030 — In an era where the government has legalized euthanasia through the organization ITB (In The Blink), Doc, a middle-aged “Negotiator,” is tasked with screening and evaluating those who request to end their lives for valid and justified reasons. But when a radical youth movement demands the legal age for euthanasia to be lowered — sparking debates over whether life’s achievements should come early, or even matter at all — tensions erupt and spiral into a crisis Doc and the organization could never have foreseen.

A man embarks on a journey to discover his identity, navigating through overlapping realms of surreal dreams.

A recording of a live performance by a group of film students at the final stage of their studies, in which they attempt to simulate the emotions experienced after screening their thesis film, reflecting on their final work submitted to the faculty.

I find myself looking back at memories of the past, where the feelings I hold now have become nothing more than fragments of memory. Everything begins to overlap – who I am now and who I was then. As I walk through the forest, the voice of my past echoes faintly, just fragments lingering in the air...