Somphong Limvichit

After the major flood recedes, a family separated during the evacuation reunites for the first time. However, the cheerful middle child has become quiet and withdrawn, as if possessed by something. Yet, as the eldest and youngest siblings try to restore him to his old self, the distance between the three only continues to grow.

The long shot story of Kate, who was kidnapped in a certain place to be interrogated by Hia Tui, the mafia gang leader, about the attempted assassination of Hia Tui himself, in which Kate becomes the prime suspect.

Fragments of a contemplative essay film drifting between memory and dream. I see an old man haunted by an elusive voice, and a fading childhood quietly watching over him, in a space where prolonged sleep blurs the boundary of what is real. This is a story written from elsewhere a place where I listen, observe, and record his story, in an attempt to weave together images of family, and the quiet violence of growing up.

A short story in three parts—verbally contemplating on the death of an insignificant person—riddled with self loathing of both the living, and the dead. For death is a bitter tasting joke with no set-up; only a shocking punchline leaving those who remain with the unbearable weight of grief and longing.

On a quiet night in the library, a young librarian prepares to head home alone, until something lurking in the shadows begins to creep closer.

Thailand, 2030 — In an era where the government has legalized euthanasia through the organization ITB (In The Blink), Doc, a middle-aged “Negotiator,” is tasked with screening and evaluating those who request to end their lives for valid and justified reasons. But when a radical youth movement demands the legal age for euthanasia to be lowered — sparking debates over whether life’s achievements should come early, or even matter at all — tensions erupt and spiral into a crisis Doc and the organization could never have foreseen.