Naya Maassarani

Said in three parts before, during, and after the wedding- and from three outside perspectives, a bride and groom's special day is clouded with memories, assumptions, and emotions. As each telling reshapes the story, the film reveals how the privacy of love and truth is often obscured by the perceptions of others.

An artwork called Komorebi becomes the key to dark secrets, revenge, and a past that won't stay buried.

From his book, Les Fleurs du Mal, an adaptation of Charles Baudelaire’s famous poem, Une Charogne.