Erik Aaes

The three sons of devout Danish farmer Morten have widely disparate religious beliefs. Youngest son Anders shares his father's religion, but eldest son Mikkel has lost his faith, while middle child Johannes has become delusional and proclaims that he is Jesus Christ himself. When Mikkel's wife, Inger goes into a difficult childbirth, everyone's beliefs are put to the test.

In a Danish village in the early 1600s, a young woman named Anne, whose mother was thought to be a witch, develops sympathy toward an old woman, Marte, who is accused of witchcraft. The intervention of Anne's older but kindly husband, Pastor Absalon saved her mother -- but now, urged on by his overbearing mother, he refuses to help Marte. When Absalon's son returns home and is attracted to Anne, it's a matter of time before her family destiny catches up with her.

A U.S. lawman busts Copenhagen counterfeiters to help his sister, falsely accused of murder.

A strange, red circle appears on the neck of a man saved from the guillotine. What is its mysterious meaning? Tragically, it turns out to be something of a family curse, as each generation thereafter bears the same sign, which in turn leads to blackmail and murder.

In the village Karrild, the Countess Sonia Hardenborg and a young unmarried woman, Marta, give birth to a daughter on the same day. Marta dies after birth, so Marta's daughter, Betina, come under the care of the countess. 17 years later, Betina and Countess Sonia's daughter, Maria, meet, as Betina is living in a home for orphaned girls, which is adjacent to the Hardenborg estate. The two girls become friends, and Maria invites Betina to visit her at Hardenborg, to greet her parents Sonia and Otto Hardenborg and her brother Count Flemming. Meanwhile, Betina's father, Frank Jensen, starts working in the estate's woods, and when the two girls come to visit him, he is shocked by the resemblance between the young countess and Betina's mother Marta.

Both Scotland Yard and an amateur American sleuth are tracking a master criminal known as The Frog. This moniker refers to the bulging-eyed mask worn by the evildoer, and is reflected by the frog icons painfully tatooed onto the forearms of his henchmen. The trail leads to the country manor of an enigmatic, steely-eyed nabob, whose repressed son has eyes for the artistes at the Lolita cabaret, and whose lovely daughter captures the fancy of both the American playboy and the villain himself. Murder, kidnapping and seduction ensue.

This first film adaptation of Bertolt Brecht’s play about class distinctions was made in 1955 in the Vienna Rosenhügel studios, but it was only premiered five years later. Curt Bois plays the rich capitalist Puntila who only becomes somewhat agreeable when he is drunk (which he is most of the time in this film). In his inebriated state, Puntila not only gets amorously involved with three different ladies but also suggests that his daughter Eva marries his chauffeur Matti. The chauffeur, however, doesn’t really agree…

Liv is a frankly sexual being. She finds herself in a series of sexual relationships with men who, she says, fall too much in love with her and become oppressive. Finally she meets a man who is very much like her, but that brings its own problems.