Heinz Kammer

This film is set in a medieval mill town in the Harz mountains. The greedy and brutal millman and his accomplices, the castle steward and the mayor, set fire to a forest mill that the farmers used for processing their grain. Without their mill, the farmers must now rely on the millman's services. When the farmhand Anna uncovers the millman’s crimes, he swiftly detains her and a young miller, Jörg. The forest spirits have a different plan, however, and they free the young couple with the charge to rebuild the ruined forest mill and turn things around for the villagers.

An old man living in an oriental city tells the story of his life to a group of kids: He too was once a young boy by the name of Little Muck - much like them, but with better manners and a heap of problems. Having lost his father at early age, little Muck is expelled from home by his greedy relatives. He wanders off into the desert hoping to find the merchant who sells good fortune. Amidst the dunes of sand he comes across a small house owned by a wicked woman and her many cats. She wants to make Little Muck her servant, but he manages to escape by stealing a pair of magic shoes which enable him to run faster than any man in the country. From there he heads right into the next set of challenges...

On a barren and stormy island, fishing families eke out a meager existence on what they can catch during summer, and what washes ashore during winter. But little has been washing ashore of late, and their situation worsens. Elders recall how twenty years ago, when the lighthouse keeper’s beacon went dark, a cargo ship broke apart on the cliffs. It proved a bountiful accident for the fishermen. Today people on the island view the conscientious lighthouse keepers with evil hungry eyes...

The starting point of the plot is a Men's club, which serves both as a meeting place as well as an alibi by unfaithful husbands. Interspersed between the sex scenes are reporters' questions on alleged passersby about marital fidelity and infidelity.

Gustav Hartmann is in trouble. Because of the new taxis he doesn't get many passengers in his horse-drawn carriage. To prove what he and his horse are capable of, he starts a trip from Berlin to Paris.

Two UFA employees travel by car from West Berlin to Potsdam's Sanssouci Palace together with Ministerial Director Schimmelpfennig to persuade Frederick II, who haunts the palace, to collaborate on a new film about himself. The daily newspaper Die Welt had already written about the fact that at the founding meeting of the new UFA, its director pointed out under the motto: "The old spirit lives" that the monumental film Fridericus Rex - Eleventh Part was a first contribution to the ideological armament of the Free World.

Several men have been murdered lately, mostly rich lovers on their way to meet their mistresses with gifts of fine jewelry. To fight this scourge, King Louis XIV decides to create a special court named "La chambre ardente", designed to find and punish the perpetrators of such heinous crimes. An unexpected person, Mademoiselle de Scudéry, the famous poetess, will find herself entangled in the web of a criminal intrigue linked with the jewel murders, along with a a goldsmith, his daughter and her fiancé...

Albert Hauptmann is an out of work waiter in Cologne who is often confused with a former Captain of the Nazi Army. Albert uses this to his advantage and becomes the Director of the Montan Corporation, and a member of the West German Parliament. Herr Karjanke, the real Captain, learns of Albert’s ruse, and wants to claim his "rightful" position in Parliament. But Karjanke cannot come forward until his politicking "Doppelganger" succeeds in passing an amnesty law for war criminals. When Albert is finally brought before a judge on charges of fraud, he learns that this own amnesty law does not apply to him.