Konstantin Efimov

An adaptation of Pushkin's historical novel about the Pugachev's Rebellion in 1773–1774.

This SovKino production was a major early experiment in Soviet historical film about the oprichnina period of Muscovite history, combining the costumed drama and Gothic thrills of the genre with historical materialist commentary on the dialectical collision of scientific progress and patriarchal religious tyranny under Tsar Ivan the Terrible. It follows a self-taught inventor from the serf class Nikishka, whose efforts to build a flying machine incite accusations of witchcraft. Nikishka and his beloved Fima are persecuted by the feudal lord Kurlyatev, who took their village in a petty land squabble. They’re rescued when Kurlyatev’s lands are taken by the Tsar in his autocratic campaign against the feudal system. Ivan puts Nikishka to work in his linen mill, where the young serf is coveted by Tsarina Maria Temryukovna, who the Tsar’s been ignoring in favor of his cupbearer Feodor. A series of harrowing intrigues wind a bloody dance through bedchamber, feast hall, cathedral and dungeon.

An agent working for the Tsar fools a group of Bolshevik sailors but is captured and punished after the revolution.

A man remakes his entire life after winning a significant sum. Lost film.

The fate of a simple railroad machinist Gavrilov, who under the influence of the events of the Civil War finds his place in the new era.

It is a social drama that focuses on a peasant village dealing with the struggle of young Komsomol members against old ways of living. The story heavily features themes of combating religious superstitions, prejudices, and a parasitic, phony shaman who exploits uneducated workers with fake medical cures.