Martin Hoffmann

Pakistani director Sabiha Sumar and Indian actor Kalki Koechlin take an inspiring and stunning transnational journey through India and Pakistan, uncovering the common humanity beyond the divisive political rhetoric.

A journey through the spectacular National Museum of African American History and Culture, opened in Washington D. C. in December 2016, a true exploration of the history and culture of the United States from the point of view of African Americans.

Boris is smitten with Til. But when they are about to kiss for the first time an inter-loper joins them. Much to Boris' dismay and Til's delight. Will jealousy ruin everything?

2024 is likely to be a decisive year for Sahra Wagenknecht's political future. In the arena of power, she might assume a role that she is already very familiar with. In the early years following the fall of the Berlin Wall, Sahra Wagenknecht became the "most famous face" of the PDS, the successor party to the SED. Yet, even as the youngest member of the party's executive board, she was considered a "disruptive factor." She is unyielding and swims against the tide. Sahra Wagenknecht does not distance herself from Stalinism, nor from the Berlin Wall, and wishes for a reformed GDR.

An account of the short life and the astonishing and provocative work of the Austrian painter Egon Schiele (1890-1918), seen through the peculiar point of view and the critic voices of the women who defined the paramount milestones of his existence: Gerti, his sister; Wally, his main model and lover; and Edith, his wife. A brief story of love, hate, betrayal and misfortune.

Inspired by Carl Maria von Weber's Der Freischütz, the film opera Hunter's Bride traces the romantic rivalry between two veterans of the Napoleonic Wars who each vie for the heart of the same woman.

Journey with the musicians of the Berlin Philharmonic and their conductor Sir Simon Rattle on a breakneck concert tour of six metropolises across Asia: Beijing, Seoul, Shanghai, Hong Kong, Taipei and Tokyo. Their artistic triumph onstage belies a dynamic and dramatic life backstage. The orchestra is a closed society that observes its own laws and traditions, and in the words of one of its musicians is, “an island, a democratic microcosm – almost without precedent in the music world - whose social structure and cohesion is not only founded on a common love for music but also informed by competition, compulsion and the pressure to perform to a high pitch of excellence... .” Never before has the Berlin Philharmonic allowed such intimate and exclusive access into its private world.