Aisyah Aulia

On a hot day, when digital activity suddenly stopped, Adek whined to her family, asking to play in the inflatable pool. But sadly, there was no running water in their house.

One day, the cafe where Kevin works is borrowed as a filming location. At an unexpected time, Kevin meets Ranni, one of the make-up artists in the production crew. At the same time the clapper closes, they then imagine as if they were in a movie and do various romantic scenes. But when they are free from their imagination, they have to face the awkwardness and embarrassment of getting to know each other.

An independent photographer then meets his old friend as a client. Between their meetings, conversations arise and feelings are expressed.

The relationship between native women in the cities of Cianjur, Bogor, and male tourists from the Middle East, that merges beliefs and morals.

Fahri is haunted by the spirit of his ex-lover, Amira, who is still demanding responsibility. In the waltz, Amira reminds Fahri of the mistakes he made in the past.

Arul an office worker who had to bury his dream profession. However, it turns out that he is not the only one who experienced it.

A final-year student often mocked for his "weeb scene" lifestyle and his gray jacket, is forced by his friend to adopt a "culture scene" style for the yearbook photoshoot.

Satria, a professional thief, lives ironically within an academic community. Behind his friendly demeanor, he crafts a step-by-step guide to stealing—divided into two phases: pre-theft and theft. Through witty yet biting narration, the film peels back the layers of moral absurdity in society, questioning the line between cleverness and crime. A social critique wrapped in satire and irony.