Kay Slauenwhite

In the last gentle breaths of bacchanale, two lovers are told the tale of the great god Pan’s violent pursuit of the forest nymph Syrinx. The film refracts the myth through layers of song, identity, and performance: at once a ballet, a trans fantasia, and an exploration of love and power.

A celestial being probes gaping wormholes on quest toward carnal pleasure and cosmic annihilation