Robert-Adrian Pejo

In a 1990s Hungarian town, tram mechanic Zoltán secretly inherits a hyperactive German shepherd puppy, “Mancs,” which he trains into a rescue dog in his spare time. As Mancs grows into Zoltán’s pride and joy at their new mountain home, Zoltán’s lies about the dog strain his marriage and land him in trouble at work.

The marine doctor Dr. med. Karen Stendal is assigned to the sailing training ship Albatros, which heads her great love Gregor Simonis as captain. But contrary to expectations Gregor behaves emphatically cool and dismissive to the attractive doctor. During a trip ashore in Lisbon, Karen indulges in an affair with the charming journalist Thomas Sand. But when Karen learns the reason for Gregor's peculiar restraint, she knows he needs her more than ever.

What starts out as a relaxing weekend at lake Neusiedl ends in fear and horror for two friendly couples. Three children have gone missing from the neighbouring village. As tensions increase people start showing their true colours.

On a garbage dump, people try to make a living in the poorest of conditions.

R.I.P Rest in Pieces is an intimate portrait of artist Joe Coleman, who is known around the world as a shamanic, moral voice diagnosing the ills of 21st century America. Coleman holds nothing back, telling us of a world wracked with tumorous cities, perversion, divorce, violence, atomic bombs, and a human race destroying itself simply because we are born.

"What happens with a person after his death? What does the final destination look like? What happens with our bodies? How are we prepared for our last voyage?" A film on how we deal with death. The aging and the decay of the body, free of taboos. Death as a part of life and as the last companion. Janos Keser, the modern Charon, occupation: master of dissecting.

Grace Stearn, left in debt after her father's death, rents a room to a stranger named Ward Weaver not knowing that he is a murderous psychopath.

Lipstick strives to depict the inner conflicts of the protagonist Vesna as subjectively as possible. Vesna, apparently unmoved by the armed conflicts in her homeland Yugoslavia, leads a happy-go-lucky life. A form of denial, the causes of which should be explored. Her visit in Budapest and therefore her compromise with her possibly true, though repressed, identity, evokes a feeling of happiness for a short time. The next morning, reality catches up with her again. She is taken off the train and is forced, since her passport and Austrian visa have both expired, to assume a new identity. Despite the futility of her undertaking, she refuses to make a statement concerning her person while in jail. What remains is the memory of a short-lived feeling of emotional success by delaying the course of events. The suggestion to consider a denial while in a condition of statelessness.