Nicolás Yaya

During the 1986 World Cup in Mexico, in the legendary match between Argentina and England, Diego Maradona scored two unforgettable goals in a game that meant more than sport for a nation scarred by the Falklands War. Decades later, when the jersey he used in the match is auctioned, a humble kit man shaped by profound loss sets out on a final journey that forces him to confront his past and his broken relationship with his daughter.

Nestor is extremely superstitious. This year, his team plays the ascent in Mendoza and prepares to travel with Rafa, his friend. But Fabian appears, a mufa. The ascent is in danger, unless they can prevent Fabian from reaching the stadium.

An impossible love story that begins outside a movie theater, continues in a café and could end with the two protagonists together… if real life wasn’t much more complicated than the movies. United by their love of cinema, these two main characters decide to live the lives they dreamed of and not the lives they are destined to live. In a series of encounters, imagination triumphs over reality and everyday reality takes a back seat.

In Patagonia, Leandro — the protagonist of Felt like real.— asks himself: is it possible to imagine a virtuous future in a world that seems destined for ruin? Filmed over the course of a decade (2014–2024), the film is built arround a deadly conflict between two brothers. Inspired by the life of Rafael Pinedo, it weaves echoes of “various pasts” in Super 8mm, filmed in the 1960s and 70s, with the present.

Theatre of War is an essay on how to represent war, performed by former enemies. British and Argentinian veterans of the Falklands war come together to discuss, rehearse and re-enact their memories 35 years after the conflict.