Bruno Senune

Inhabited by bodies that question love and death to the limits of madness, that are heard but not seen, and vice versa, Camera Obscura reveals a particular form of appropriation of the work of French writer and filmmaker Marguerite Duras. From the intersection of writing, video and sound, and his usual experimentalism, Bonneville creates a film made up of ghosts and mysteriously hypnotic and sensory images.

In this film a lone figure wanders through a mysterious wilderness while hounded by spectres and unseen forces. This is a solitary journey, a path of exile and hardship that leads beyond the abyss to where reality loses its mask of concreteness and shows its true fluid face.