Lazara Rosell Albear

hold on to her traces a lived social infrastructure of care, solidarity, and struggle that addresses a recent case of police and state violence in the context of migration border control in Belgium.

In the streets of Matongé in Brussels, residents participate in the collective poetry of living together. Guided by Maéva, the neighborhood unfolds between everyday life and colonial memory. Individual experiences interact with history, blending reality and fantasy. Gestures, voices, and rhythms bring to life the masks that parade in the footsteps of colonization. Images, sounds, and percussion animate a call for the decolonization of public spaces.