Eduardo Tiago

An essay film in which three young people unearth a clandestine archive of Brazilian cinema and plunge into a Dadaist–Third World delirium. Amid forbidden images and personal memories, they implode the very idea of Brazil.

An experimental short film following a young woman trapped in an oppressive routine as her sanity unravels. The alarm clock ringing every morning—and at erratic hours—is no ordinary wake-up call, but the trigger for a psychological cycle blurring the line between reality and delusion.

A black earphone searches for his place in the world by boarding different buses at a station, facing realities that make it question his identity and future.

Jorge, a mechanical scientist, builds a teleportation machine to see his daughter in Portugal during a pandemic. Driven by love, he pushes the limits of science, but discovers that every invention comes with a price.

After a failed relationship, an Australopithecus indulges in Brasília’s bohemian life, seeking a reconciliation with his past and his own identity.

Inside a socio-educational detention unit, five youths in conflict with the law plan their own film as a way to find meaning in their time behind bars. Through a hybrid process that blends documentary and fiction, TWENTY TWENTY FOUR dissolves the reality of juvenile crime and confinement into a sensory experience—exploring rebellion, boredom, and traces of tenderness within a space defined by abandonment.