Laëtitia Spigarelli

Olivier Assayas, Gus Van Sant, Wes Craven and Alfonso Cuaron are among the 20 distinguished directors who contribute to this collection of 18 stories, each exploring a different aspect of Parisian life. The colourful characters in this drama include a pair of mimes, a husband trying to choose between his wife and his lover, and a married man who turns to a prostitute for advice.

Alain, a successful Parisian publisher struggling to adapt to the digital revolution, has major doubts about the new manuscript of Léonard, one of his long-time authors — another work of auto-fiction recycling his love affair with a minor celebrity. Selena, Alain’s wife, a famous stage actress, is of the opposite opinion.

The story of Venezuelan revolutionary, Ilich Ramirez Sanchez, who founded a worldwide terrorist organization and raided the OPEC headquarters in 1975 before being caught by the French police.

Jérémie, a young man reaching a breaking point on all fronts, decides to leave behind Paris and return to Limosin, to the home of his intrusive mother.

After she ends up in prison and loses custody of her son, a woman struggles to assimilate outside her former life and remain clean long enough to regain custody of her son.

Ève and Henri are among the happy few of the French community in Vienna. They are “la crème de la crème”. The perfect picture crumbles when Ève discovers that Henri is cheating on her. On an impulse, she finds revenge with Jonas, a perfect young Austrian guy. But he’s not who she thought he was. This will lead them to an irreversible spiral.

Three siblings comprise the latest generation in a family of puppeteers led with passion by their father. They are magicians of a kind, but can barely make ends meet, working mainly for the love of their craft. Their grandmother contributes too, not only as a seamstress but also as a repository of memories and wisdom. A tragic event will challenge the desire of each sibling to carry on.

1968 and 1969 in Paris: during and after the student and trade union revolt. François is 20, a poet, dodging military service. He takes to the barricades, but won't throw a Molotov cocktail at the police. He smokes opium and talks about revolution with his friend, Antoine, who has an inheritance and a flat where François can stay. François meets Lilie, a sculptor who works at a foundry to support herself. They fall in love. A year passes; François continues to write, talk, smoke, and be with Lilie. Opportunities come to Lilie: what will she and François do?

The professional and emotional cross-currents between two romantically entwined theater actors played by the director’s son Louis and Anna Mouglalis.

The day after she meets Quentin, Lise joins Jade, her roommate, at a farm in the countryside where a small festival of sorts is being held.

After a bad breakup, a college-aged Parisian moves into her father's flat only to discover that he is living with his new girlfriend - a young woman her age.

Marcelline is an actress. Forty, single and childless, she begins rehearsals for Turgenev’s A Month in the Country. Denis, the director, admires her greatly and promises he’ll make her happy on stage — she will shine. But things don’t go to plan.

A psychologist discovers troubling links between Nazism and modern-day big business.

Who remembers Pierre Céran? Nobody except Louis, his old friend, who is worried about not having any news. Especially since the last time he saw him, Pierre Céran was not well. Louis goes to look for him.

A young woman travels to Moscow, speaking with the people she meets of the region's recent past.

In 1924, Simone de Beauvoir, a girl with polished appearance, prepares for her final examination in philosophy and meets Jean-Paul Sartre. He seems to know her true personality and considers her the only woman worthy of his intellect. Their chaotic love serves as the premise for her magnum opus The Second Sex.

The overexcited night of a young pinched painter and a crazy comedienne. In the impossibility to end up alone, Laetitia and Thomas cross every situation between drama and lightness, until a violent event marks their meeting of a strange complicity.

Marie's grandfather is dying. In the house where the whole family is gathered, the commotion leaves little room for discussion. Marie decides to go to Sainte Baume grotto. But on the way up, she has a vertigo attack.

In Saint-Nazaire in 1967, a hotbed of workers' struggles, Clémence, 26, is married to a young worker, Gérard. Like many women of her generation, she does not work and takes care of her two children. But she longs for a different life while Gérard confuses the happiness of his family with the acquisition of household appliances. Trained by an old friend, Agnès, in family planning meetings, Clémence will meet a young philosophy teacher, Jérôme. For him, she will abandon her husband and her children, and try to live the utopia of a life of total freedom. Blinded by his pain, a stranger to his wife's questioning, Gérard will have to become aware of the upheavals that will overwhelm society a few months later. Life will never be the same again.

A scorching summer. A large, dilapidated villa lost in the heights of a village in Southern France. Agneshka has invited three to spend a girls-only vacation together. Then Marie turns up, six-months pregnant. A strange uneasiness, made up of frustration, jealousy, and anxiety, then settles on the group.

It’s summer. Celine, in her thirties, archaeologist, spends a weekend in her childhood home. Her archaeological research are mixed up with her memories of adolescence and some random reunions from her walks.

Diane has stopped counting the years that fly by. Now, isolated, she kills time fishing, watching the days pass and repeat themselves despite the hustle and bustle of the 2024 Olympics project. On the eve of a planned departure, Diane lingers on the quays of Austerlitz, looking for catfish, before heading to the bridge of the ship. The Bridge of the Ship concludes a summer trilogy in the capital filmed over three summers.

Desperate to deal with a chronic digestive problem, stand-up comedian Blanche Gardin decides to consult a naturopath, who explains that her self-mockery on stage is sending her brain a negative message about herself. Blanche accepts this diagnosis with the faith of a new convert, decides to give up humor and embarks on the road to personal development.