Eduarda Géa

In Porto Alegre, people occupy disused buildings in an attempt to (re)establish their homes.

A young woman is in her art studio with a long-time friend when she decides to play "Uno," to distract herself from her anxious thoughts. The game, that starts naively, becomes a true competition the moment it brings up old memories from a turbulent friendship.

In a society where clowns are a subcategory, Farofa leaves clowning in search of a real job.