Luciano Tovoli

Camera

Luciano Tovoli

Born October 30, 1936 · Massa Marittima, Grosseto, Italy (age 89)

Luciano Tovoli (born 30 October 1936) is an Italian cinematographer and filmmaker. With a career spanning over five decades, he is considered one of Italy's premier cinematographers, collaborating with numerous acclaimed filmmakers such as Michelangelo Antonioni, Francis Veber, Dario Argento, Ettore Scola, Andrei Tarkovsky, and Julie Taymor. Films that Tovoli has photographed include The Passenge…

Known For

Ruby & QuentinRuby & Quentin · 2003
Ruby & Quentin
★ 6.72003
MovieComedyCrime
After hiding his loot and getting thrown in jail, brooding outlaw Ruby befriends Quentin, a dim-witted and garrulous giant. After Quentin botches a solo escape attempt, they make a break together. Unable to shake the clumsy Quentin, Ruby is forced to take him along as he pursues his former partners in crime to avenge the death of the woman he loved and get to the money.
SuspiriaSuspiria · 1977
Suspiria
★ 7.51977
MovieHorrorMystery
An American newcomer to a prestigious German ballet academy comes to realize that the school is a front for something sinister amid a series of grisly murders.
TitusTitus · 1999
Titus
★ 6.41999
MovieDramaHistory
Titus Andronicus returns from the wars and sees his sons and daughters taken from him, one by one. Shakespeare's goriest and earliest tragedy.
Desperate MeasuresDesperate Measures · 1998
Desperate Measures
★ 6.01998
MovieActionDrama
San Francisco police officer Frank Connor is in a frantic search for a compatible bone marrow donor for his gravely ill son. There's only one catch the potential donor is convicted multiple murderer Peter McCabe who sees a trip to the hospital as the perfect opportunity to get what he wants most: freedom. With McCabe's escape, the entire hospital becomes a battleground and Connor must pursue and, ironically, protect the deadly fugitive who is his son's only hope for survival.
Kiss of DeathKiss of Death · 1995
Kiss of Death
★ 5.71995
MovieCrimeThriller
Jimmy Kilmartin's an ex-con who's trying to go straight. But he can't say no to a quick driving job because his so-called friend's life is threatened. The job is for Little Junior Brown, a violent and powerful villain. When things go wrong, Jimmy is left to do the time, and his whole life is turned upside-down, but if that wasn't enough, the cops won't leave Jimmy alone when he gets out... They want Little Junior Brown.
Single White FemaleSingle White Female · 1992
Single White Female
★ 6.31992
MovieThriller
Having recently split from her fiancé, Allison Jones welcomes new roommate Hedra Carlson. The young women quickly form a bond, but soon Allison begins to notice not all’s well with her new tenant.
Murder by NumbersMurder by Numbers · 2002
Murder by Numbers
★ 6.22002
MovieCrimeDrama
Tenacious homicide detective Cassie Mayweather and her still-green partner are working a murder case, attempting to profile two malevolently brilliant young men: cold, calculating killers whose dark secrets might explain their crimes.
The ClosetThe Closet · 2001
The Closet
★ 6.52001
MovieComedy
A man spreads the rumor of his fake homosexuality with the aid of his neighbor, to prevent his imminent firing at his work.

Filmography

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All the things that remainAll the things that remain · 2024
All the things that remain
★ 6.02024
MovieDocumentary
In a hidden corner of Cinecittà there is a magical place that no one knows about and that was about to disappear. It is STUDIO EL founded in 1983 by Ettore Scola and Luciano Ricceri. A creative space, a sort of Renaissance workshop, a factory. A place where the two great friends prepared their great films in Cinecittà, but where they gave the opportunity to many young people to grow and improve their professionalism. After the passing of Ettore Scola and Luciano Ricceri, time at Studio E.L stopped along with many objects that are the memory of almost 40 years of history of our cinema. Before Studio EL closes forever, becoming a museum space inside Cinecittà, we would like to give the objects it contains the value they deserve and tell their stories.