Marcos Medeiros

The film, created in exile from 1971 to 1973 between Cuba and Rome, is considered a "semi-finished" work by Glauber Rocha. It has a certain pedagogical character and seeks, through dialectical editing, to conduct a critical review of colonization, class struggle, messianism, and the establishment of populist governments in the Third World. There is a chronology in the events presented, which, supported by extensive iconography (films, engravings, photos, etc.), create "free" associations that allow the viewer a "polyphonic" view of the "History of Brazil."

Learn about the trajectory of student leader Marcos Medeiros and learn more about his exile in France and Cuba. In 1968, he joined the counterculture when political activism became an audiovisual expression of intervention in social reality.