Tatjana Sais

Russia, 1917. Revolution is in the air. The Sevastopol anchors In Saint Petersburg. The sailors are thirsty for women and celebration. The ship becomes a dancehall. Bloodbath, pillage and kidnapping follows. A Nazi/Germany propaganda film.

The quiet life of an extended family is shaken up when a circus comes into town.

Otto, a feckless Everyman, tries to adjust to the postwar travails of his defeated nation. Stymied by black-market profiteers and government bureaucrats, Otto begins fantasizing about a happier life at the end of that ever-elusive rainbow.

In a Near East land, a German company building waterworks and mining copper is threatened by foreign interests.When the chief engineer is framed for a murder, the nephew of the ambassador makes a heroic sacrifice.

Kurt Hoffmann′s satire concerning Germany′s development during the first half of the 20th century tells the story of two schoolmates - Hans and Bruno. They could not be more different. While Hans is ambitious and must always work hard for his career, it seems that the happy go lucky Bruno is carefree.

In a transport museum, the items on display begin to tell their stories. Most interesting is the history of the Pullman car. In the beginning, it served as transport for a princely family; then became the headquarters car for the military high command; and then, most adventurous of all, it ended up with a circus. Converted to a bar, it finally had its day and was supposed to serve as a placard carrier. Luckily, the museum saved it from this sad fate.

The countess is married, and the ghosts are still in the Spessart. Her husband becomes an astronaut and the story involved time travelling and space travelling starts.

One day, an exceptionally beautiful girl shows up at Josua Webmann’s pawnshop to pawn a golden harp. Josua’s apprentice, Klaas, immediately sees her as an angel. That evening, she meets him again and dances with him, causing even the previously indifferent Lissy to take notice of Klaas. Meanwhile, Josua worries about his money and negotiates with an instrument dealer who makes him a generous offer for the harp. The next day, the girl and the harp have disappeared again—but she has left behind unexpected wealth.

After the two vagabonds Robert and Bertram flee from prison, they get to know the innkeeper’s daughter Lenchen at the “Silver Swan” Inn. Because her father is in desperate need of money, Lenchen is to marry the creditor Biedermeier instead of her beloved military recruit Michel. In order to prevent that, Robert and Bertram travel to the capital and, under false names, manage to make their way into the house of the Jewish commercial advisor Ipelmeyer, to whom Biedermeier is deep in debt. During an evening costume ball, the bums steal the family jewels and give them to Lenchen’s father. Lenchen and Michael get married and Robert and Bertram flee in a balloon into the sky.

Dr. med. Job Prätorius enjoys great popularity among patients, doctors and students alike thanks to his kindness and philanthropy. Only his colleague Prof. Speiter begrudges him his success. When his patient Maria Violetta wants to commit suicide because of an extramarital pregnancy, Prätorius takes care of the young woman. When he tries to gently prepare her father for the news, the latter considers Praetorius to be a more than welcome admirer of his daughter. As a deep affection develops between the doctor and his patient, the two eventually marry. Their private happiness fuels Prof. Speiter's envy. With the help of Praetorius' mysterious factotum Shunderson, he finally believes that he can uncover some dark secrets from the doctor's past. But Praetorius manages to refute all the accusations in a court of honor with wit and astonishing revelations.

Kurt Hoffmann's remake of his own 1953 movie based on the play by Curt Goetz.

Gabriele Bordersen, a woman from a good home, wants to see what real life is like among the common folk. With her stewardess Fanny Flint and the tour guide Simikry, she goes off to visit a sailors' bar. Fanny and Gabriele change clothes, which allows the stewardess to introduce herself as a fine lady. When Gabriele asks Fanny to leave with her, Fanny begs her to give her an hour more out of fear of embarrassment. Gabriele, however, is thrown out of the bar by the owner without money and papers; is picked up by the cops; and suffers a nervous breakdown, leading to her being sent to a hospital. No one believes in the slightest that she's really Gabriele Brodersen.