Lydia Potechina

Gerhard Lamprecht sketches a cross-section of Germany's new post-war society, with its winners, social climbers, and losers, represented by the social microcosm of an apartment building. The gossip-mad Frau Mierig from the rear building gives the newly-arrived Frau Kaminski, the janitor's wife, a lively initiation into the tenants and their peculiarities.

Dr. Mabuse and his organization of criminals are in the process of completing their latest scheme, a theft of information that will allow Mabuse to make huge profits on the stock exchange. Afterwards, Mabuse disguises himself and attends the Folies Bergères show, where Cara Carozza, the main attraction of the show, passes him information on Mabuse's next intended victim, the young millionaire Edgar Hull. Mabuse then uses psychic manipulation to lure Hull into a card game where he loses heavily. When Police Commissioner von Wenk begins an investigation of this mysterious crime spree, he has little to go on, and he needs to find someone who can help him.

As a young couple stops and rests in a small village inn, the man is abducted by Death and sequestered behind a huge doorless, windowless wall. The woman poisons herself in order to join him and is met by Death, who gives her three opportunities to prove that love is stronger than death, thereby freeing her beloved from his fate.

Botto the Clown is in love with the much younger Blanche but she is in love with the handsome daredevil acrobate Andre.

"Raffke" was a war profiteer, shifter, the white-collar criminal, who came to wealth with not very clean methods in a short time and also likes to show it. And this film tells the story of Raffke's daughter Lilli, who, instead of marrying the Baron chosen by the father of vanity, marries a simple employee who is about to perish.

A French adventurer fights to save a woman in the life of prostitution.

A nightclub waiter and a manicurist share the same room, she sleeps there by night and he by day. They've never meet , but they can't stand each other. Then they meet by chance, not knowing who's who and fall in love.

A German soldier lies wounded on the front line in the First World War. To avoid capture or death, he assumes the identity of a fallen French officer. As the German soldier happens to speak fluent French, nobody realizes the deception. The soldier begins a new life in Paris, yet remains in constant fear of being exposed as the ‘enemy’.

The captain of a battleship of a small Balkan country is fed up with following strange orders from the country's queen.

Mary and Eva are best friends, although they couldn't be more different. Armand, Mary's fiancee, falls in love with the seductive Eva, who is busy becoming a revue star. When Eva fails and loses her money, Armand tries to help her out.

In the Ruritanian kingdom of Leuchtenstein, the old ruler has just died. His subjects are a bunch of intrigants, and his only real friend was the Baroness Windegg (Olga Tschechowa), a kind-hearted, witty, and very attractive woman, who however was not much loved by the Leuchtenstein upper class. And as these are only interested in getting better positions and other wealths after His Excellency's death, the baroness invents the story that the old ruler wrote his memoirs before his death, containing a lot of intimate, delicate and potentially embarrassing details about the Leuchtenstein dignitaries. Unsurprisingly, everyone is afraid about the details to be revealed. Only the successor to the throne, Prince Ernst Albrecht (Willy Fritsch) sees through the baroness' scheme, and as he is a lusty young man, he joins in her prank.

Parisian Women (German: *Pariserinnen*) is a 1921 German silent film directed by Léo Lasko. Ressel Orla, Xenia Desni, and Ralph Arthur Roberts starred in the film. The film premiered at the Marmorhaus cinema in Berlin.

A nobleman wishes to help the woman he had seduced and abandoned years earlier when he learns that she is now on trial for murder.

Naughty Susanne leads an exciting double life between her hometown and Paris: in the provincial nest she is considered the ever virtuous and down to earth girl, while in the cosmopolitan city she always escapes to, she is the queen of the night, sophisticated and seductive. In Paris, she meets René and begins to recruit him, but she has a noble competitor: Jacqueline. A spirited love triangle begins, complicated by the interventions of uncomprehending moral preachers. Their befitting final finds the story in the Moulin Rouge.

Austrian actress Mady Christians stars alongside German matinee idol Willy Fritsch in this adaptation of the Oscar Straus operetta about a Prince who, after falling for a Viennese girl, becomes obsessed with the city and its customs.

A Bolshevik agitator is enticing workers into a violent rebellion in post-WWI Berlin, in order to create anarchy. He charms the wife of a factory director into helping him, but the forces of law and order are fighting back.